Born in Syracuse, NY, in 1949, Huntington Witherill moved with his
family to California, in 1953, where he began training in classical
music. With intentions of eventually becoming a concert pianist,
Witherill entered college as a music major in 1968, but soon became
interested in the study of two-dimensional design. This shift in
creative focus eventually led to a career in fine art photography
beginning in 1970.
Having studied photography in the early 1970’s with such notables as
Ansel Adams, Wynn Bullock, Steve Crouch and Al Weber, Witherill has
remained faithful to his classical roots while progressively
transitioning toward a more contemporary approach to the medium. Since
1975, his work has been featured in more than one-hundred individual and
group exhibitions in museums and galleries throughout the world.
Indicative of a diverse approach to the medium, Witherill works in both
color and black & white, and his subjects include classic
landscapes, studies of pop-art, botanical still-life, urban
architecture, abstracts, and digital imaging. His photographs have been
the subject of three award winning hardcover monographs titled: Orchestrating Icons (2000), Botanical Dances (2002), and Photo Synthesis (2010). In 1999, Witherill was the recipient of the “Artist of the
Year” award presented by the Center for Photographic Art, Carmel, CA.
Witherill’s photographs are maintained in numerous distinguished public
art collections including; the United States Department of State: Art in the Embassies,
Fundacióe Van Gogh d’Arles, Arles, France, the National Museum of
Modern Art, Kyoto, Japan, the Everson Museum of Art, Syracuse, NY, the
Santa Barbara Museum of Art, Santa Barbara, CA, and the Monterey Museum
of Art, Monterey, CA, among others.
Since 1975, he has also taught photography for a variety of institutions
and workshop programs throughout the United States, including the
University of California, the Friends of Photography, the Center for
Photographic Art, the Oklahoma Arts Institute, and the Ansel Adams
Huntington Witherill lives in Central California on the Monterey Peninsula.
See, read and view more at huntingtonwitherill.com
What's the best thing about photography?
Its vast potential for personal expressiveness.
What's the worst thing about photography?
Its overly ubiquitous nature.
What's the thing that interests you most about photography?
Its ability to inform me about myself and about the world around me.
What's the thing that interests you most about your own photographs?
I am always interested and amazed by the way in which my own photographs can serve to so accurately reflect my own perceptions and sensibilities.
What's the thing that interests you most about other people's photographs?
I am most interested in the way in which others’ photographs can occasionally transport me to states of heightened awareness and impassioned veneration.
Who were your early photographic influences?
Ansel Adams, Wynn Bullock, Paul Caponigro, Brett Weston, Minor White.
Who are your photographic influences now?
Current influences include most all of my colleagues, friends, and fellow photographers who, collectively, provide ongoing support, encouragement, and inspiration.
Who were your early non-photographic influences?
Claude Debussy, Albert Bierstadt, Karl Bodmer, Oscar Peterson, Art Tatum, Georgia O’Keefe.
Who are your non-photographic influences now?
Bill Charlap, Houston Person, Olga Kern, Frederick Church.
What's the most inspiring work of art you saw recently?
Frozen Planet (NGC documentary)
What's the best thing about gear?
What's the worst thing about gear?
The worst thing about gear is planned obsolescence and its tendency to foster the notion that the tools themselves can make one a photographer.
How do you know when an image doesn't work?
It will fail to communicate anything beyond the fact that it is a photographic record.
How do you know when an image is good?
I know an image is good when it exhibits the following three (3) attributes:
#1- An interesting and effective use of light has been captured.
#2- A visually stimulating and well-balanced composition has been employed.
#3- The technique and craftsmanship used to render the photograph itself demonstrates sufficient proficiency so as not to disrupt or distract from either #1 or #2.
How do you know when an image is great?
I know an image is great if I am brought to tears.
What's the most useful photographic mantra?
Focusing on the process of living one’s life as an artist is far more important than focusing on the actual art that is being produced.
Do you practice another art form? (If so, which?)
What benefits do you get from (this/these) other art form/s?
Inspiration, relaxation, and enjoyment
What was the most significant visual moment in your life?
Viewing an exhibition of Van Gogh paintings at the Museum of Modern Art, in New York City, when I was 14 years old.
Which was the most important image to you that got away?
The images that get away are of no importance to me. There is always another image.
What failure did you learn the most from?
The initial failure to realize my own potential.
What accomplishment are you most proud of?
I am most proud of knowing that have lived a life that has been personally rewarding, challenging, and satisfying.
What's the thing you most hope to accomplish?
I hope to be able to maintain my ongoing passion for the pursuit of personal growth and stimulation as an artist and photographer.
If you had to do it all over again, what would you change?
Nothing… at all!
If you had another life to live a completely different life, what would you choose to do?
I’d be a shortstop for the NY Yankees!
What are the most important questions to you?
There are far too many important questions to contemplate the most important ones! How about: What will you do… next?
How did photography change your world?
It caused me to view myself, and the world around me, in a much more personally effective and fulfilling way.
What's the worst thing about influence?
If not carefully handled, influence can too easily lead to imitation.
What's the best thing about our times?
What's the worst thing about our times?
What's your favorite movie?
What's your favorite book?
Art & Fear (David Bayles & Ted Orland).
What's your favorite piece of music?
Rachmaninoff’s 3rd Piano Concerto.
What is the trait you most deplore in yourself?
Ignorance and the inability to personally recognize it.
What is the trait you most deplore in others?
Ignorance and the inability to personally recognize it.
What's your motto?
When the going gets tough, hang on tight. And, if that doesn't work... let go and see what happens.