Edge was critical throughout the entire process of composing Triple Goddess. First there was contour. What shape would the stone finally take? The original had been buried in sand. The stone was far too large to dig out, so I cut away the background that threatened to envelop it. This made certain determinations of shape. It may even have been the shape the sand made out of the stone that first attracted me to it. Had I seen the entire stone I might not have been so drawn to it. To date I have no idea what the full stone looks like, as I was only able to see a portion of it …
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