LIDLIPS

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LIDLIPS-front
Lessons I Didn’t Learn In Photo School
Syl Arena’s LIDLIPS started as blog posts on Pixsylated. They were so popular he’s collected them in a book.Syl delivers common sense wisdom that refreshes, provides a useful perspective, and brings you back to center.
Here’s one.
36. Make photos even when you don’t have a camera
Photography has way more to do with seeing than it does with driving a piece of hardware. Practice your skills as a photographer even when you don’t have a camera. Make mental pictures anywhere at anytime. Study the light around you. Watch the gestures and expressions of people across the restaurant. Look for geometry in the surfaces and shadows around you. Pick a word. Say it to yourself every time you take a mental picture. “Snap”.
Here are 9 more topics.
Don’t confuse distraction with creativity.
Embrace stress as the opposite of apathy.
Making yourself vulnerable is a sign of strength.
Listen for answers to questions you didn’t ask.
Look along the edges to find the in betweens.
If your camera were a pencil or a crayon it would be easy to understand it’s limitations.
Make photos even when you don’t have a camera.
Creativity comes as a breeze before it comes as a gale.
Be prepared for your dreams to come true.
Find all 100 LIDLIPS and the book here.
Find LIDLIPS on Amazon here.
Find my creatvity Lessons here.

Take Inventory

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arabesque19
When you first approach a subject it can be helpful to take an inventory of all of the components available to you.
At White Sands, New Mexico, I made a short list of all the elements available.
It quickly became clear that I was most interested in the sand dunes.
So I listed all the possible components of sand dunes.
Peaks
Valleys
Baselines
Crests
Ripples
Indentations
Slides
Wind blown sand
Hard pack revealed
Hard pack lines
Hoodoos
Shadow shapes
Light shapes
I quickly had a list of all the essential elements I had to work with.
I could search for one image that had them all.
I could gather one of each to tell a story of the composition of the place.
I could focus on just one element and find many meaningful variations.
I could look for images that had combinations of two (or more) interacting with one another.
Or I could look for them all to build an extended photo essay.
At this point, with so many ideas to pursue, it’s hard to get blocked creatively.
By taking notes, I was sensitized to and more conscious of my subject. I quickly gained many insights into how to best approach the subject, where to go, and when to be there. When you take this approach, you make visual search more efficient and focussed, saving time and energy for depth of perception. Being focussed doesn’t mean you can’t also work intuitively at the same time. There are always many surprises along the way if you just stay open to new discoveries.In fact, being focussed may help you realize more quickly what’s truly new and what’s the same old story. It’s easy to get fixated on a few things and miss other essential elements and creative opportunities.
Making notes on site can really pay off. And this is just one kind of note you can make.
Find free Creativity ebooks here.
Find out about my 2010 White Sands Workshop here.

Use Writing to Help Clarify Your Story

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I’m getting ready for my White Sands workshop this coming weekend. Reviewing my sketches and writings from previous trips, I got more ideas. After many trips to White Sands, I thought I knew exactly what I needed to do but now I’m sure there’s more. So I’ll write and sketch more on the way there, while I’m there, and afterward.
If every pictures tells a Story …
Writing can help clarify your story.
You can read 8 different types of statements on White Sands in my free PDF.
Find out more about my White Sands workshop here.
Stay tuned for live blog posts during the workshop!

Creativity Quotes on Twitter

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Everyday I post quotes on creativity on Twitter.
Here are some of my favorites.
If the doors of perception were cleansed every thing would appear to man as it is, infinite. – William Blake
Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground. – Rumi
We do not see the world as it is. We see the world as we are. – The Talmud
The only real voyage of discovery consists not in seeking new landscapes but in having new eyes. – Marcel Proust
Man cannot discover new oceans unless he has the courage to lose sight of the shore. – Andre Gide
Only those who will risk going too far can possibly find out how far one can go. – T.S. Eliot
Whatever you can do or dream you can, begin it. Boldness has genius, power, and magic in it.  – Johann Wolfgang von Goethe
You can read the quotes I post on Twitter in the top right of this blog.
You can find many more and “Follow” me on my Twitter page here.

Storytelling

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SoundingI
Every picture tells a story. Every picture? Every picture!
Even abstract images tell stories. The stories they tell are not about their subjects. By definition they don’t have subjects. Or do they? They have themselves. So they tell stories about themselves. They tell stories about the things that make them –  color, line, texture, shape, proportion, etc. How all of those things relate is a drama of form.
How many kinds of stories are there? There are scientific stories that tell us what things are and how they work. There are historical stories that tell us how things were, how they changed, and what they’ve become today – some even speculate about how things will be tomorrow. There are emotional stories that tell us how people respond emotionally to things. There may be more kinds of stories, but these are the big ones. When it comes to images, the stories they tell are usually only about a few kinds of things. The images themselves. The things images contain. The processes things go through. The feelings people have in response to things and processes. The concepts created through interpretation. Things – Nouns. Processes – Verbs. Feelings – Adjectives and Adverbs. Concepts – Abstract Ideas.
So if every picture tells a story, one way to determine the strength of an image is to ask, “How strong is the story?” Put another way, one way to improve your images is to tell stronger stories. A story doesn’t have to be big or dramatic to be strong; it just has to be told well. Tell stories strongly. Tell them with stronger form; tell them by more clearly delineating actions; tell them by disclosing emotional responses more passionately; tell them by inspiring us to find the bigger picture beyond each picture or group of pictures …
Read the rest in the current issue of AfterCapture magazine.
Find more in my free Creativity Lessons.
Learn more in my Workshops.

Elizabeth Gilbert on TED – Nurturing Creativity

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Elizabeth Gilbert (author of Eat, Pray, Love) shares her thoughts in this wonderful talk on creative inspiration. Ole! (You’ll understand this after you watch the video.) Our attitudes about what creativity is and where inspiration comes from are key factors in how we live our creative lives. Many of our concepts are inherited. Are our legacies serving us and others well?
The ancient Greeks and Romans thought that inspiration came from a divine spirit (daemon). Genius (related to the Arabic djinn or genie) was a spirit located outside the individual. Inspire means to breathe in. During the Renaissance western culture championed the individual. Genius was a unique individual with extraordinary talents. Individuals discovered and shared their unique creations through a still mysterious but ultimately rational process. Which perspective is right?
Here’s my take on the subject. They’re both right. And there’s more.
I believe people can channel (come in contact with and give expression to) universal forces and information greater than themselves. I also believe each individual has unique resources, talents, passions, and perspectives that they can use when creating. Furthermore, I believe there are collective human resources that are created by communities (as small as two and as large as the global population) that can be activated through collaboration – either passive, remote, and asynchronous or active, direct, and synchronous. (The web and social networks are providing new means and levels of access for this type of consciousness and interaction.)
I believe these are all different types of consciousness. I believe every individual can access all of these types of consciousness. The challenge is to become more aware of them; not only subconsciously and not just intellectually but holistically; all types of intelligence apply. Any acts of creation attain an energetic presence through alignment with any of these forces. The more alignment, the more energy, the more flow, the more profound the work. Combine multiple resources together for more energy and greater perspective. Direct experience, synchronicity, and clear perspective act as intensifiers.
What do you think?
How does that affect you, your self-image, your creative life, the things you produce, and the way you share them?
Comment here!
Find more Creativity resources here.

Be More Childlike – Go Your Own Way

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You know those stories your parents tell about you when you were a kid? They tell them so often you build up synthetic memories as you revisit them over and over again. My father often tells this story about me. “I knew the kid would be alright the day he came back from school with two drawings. ‘Look what the teacher made me do.’ Blue sky, green grass. ‘Now look what I did.’ Orange sky, purple grass.” Yesterday I asked my son “Do you want realistic or solarized color?” “Messed up!” was his response.
As adults, how often do we allow ourselves such creative freedom?
Find more on Creativity here.