23 Quotes By Photographer Keith Carter

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Enjoy this collection of quotes by photographer Keith Carter.
“At a fundamental level photography is much like pointing, and all of us occasionally point at things: look at that, look at that sailboat, look at that tree, etc. etc.” – Keith Carter
“The raw materials of photography are light and time and memory.” – Keith Carter
“Sharpness is overrated.” – Keith Carter
“When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don’t experience a scene visually at F32. It’s more like F1.4.” – Keith Carter
“I think the equipment you use has a real, visible influence on the character of your photography. You’re going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you’re Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it’s about what you find important. It’s all about ideas.” – Keith Carter
“In the history of photography, one process has always replaced another. The tumultuous realignment that’s going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.” – Keith Carter
“I love the history of photography and one process has always replaced another. However, very, very few have disappeared.” – Keith Carter
“I think there is an element of magic in photography — light, chemistry, precious metals — a certain alchemy. You can wield a camera like a magic wand almost. Murmur the right words and you can conjure up proof of a dream. I believe in wonder. I look for it in my life every day; I find it in the most ordinary things.” ― Keith Carter
“I think you go through stages in making art. In the first stages you get excited about the medium itself. It offers a very immediate kind of gratification. Here is what I see and here is a picture of it. Then it gets harder. Then you find somebody whose work excites you, such as Robert Frank, and it opens up new doors and so you replicate them or you do work that is influenced by them. I think all of that is very, very useful in terms of your own growth. Because if you have anything at all, you will only do that for a while, and then you use what you have learned and you try to turn it into your own voice. That is where things really get hard. If you can make that leap, then you start making personal work. Personal work is where most people stop. Most people stop when it gets personal. I will tell you my greatest secret, and I probably shouldn’t, but I will tell you anyway. Here is what I think and feel and I hope it is useful to you. If you really want to do something special, if you want to make poetry, and granted most people don’t, but if you do, you have to go beyond what is merely personal. You have to reach a level in the human psyche where we are all the same. That is the real journey.” ― Keith Carter
“I live in a small place more urban centers make fun of, where art is not necessarily the first thing in most people’s minds, and I thought: Gee, I don’t need to go in some exotic locations to make a meaningful picture, why don’t I just play like I came from China and I was transplanted into this culture, with this people and this language and this landscape and this architecture and this music and all these animals I’ve never seen before… why don’t I try to belong to my own place and make pictures that I really would like to make. I started doing that and it was the first time that anybody started paying attention to my work.” – Keith Carter
“I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they’re natural things that happen in the world, but if you look at them from a slight angle there’s more than meets the eye.” – Keith Carter
“I don’t just look at the thing itself or at the reality itself; I look around the edges for those little askew moments — kind of like what makes up our lives – those slightly awkward, lovely moments.” – Keith Carter
“I don’t think science is necessarily incompatible with mystical or spiritual sensibilities. I often weigh them equally in my thinking, which sometimes finds itself into the work.” – Keith Carter
“I like to work in the real world, so I do a lot of searching or just simple looking. But I’m not above tweaking reality and making something up. I don’t think there are any rules in art. It’s not so much what you see as it is the significance you, the artist, see in it.” – Keith Carter
“I’m fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.” – Keith Carter
“Your ideas come out of the way you conduct your life.” – Keith Carter
“Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.” – Keith Carter
“I like what Wallace Stevens said: “Poetry must almost successfully resist intelligence.” I just change the word “poetry” to “my photographs.” – Keith Carter
“Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.” – Keith Carter
“You are lucky if you have one or two epiphanies in your life, particularly a creative one.” – Keith Carter
“I don’t know if I can articulate how I feel. Never in my wildest dreams did I think I would make it here.” – Keith Carter
“How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.” – Keith Carter
“I want to be made better personally. That is the gig.” – Keith Carter
Read my Conversation With Keith Carter.
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15 Quotes By Photographer Lee Friedlander

 
Enjoy this collection of quotes by photographer Lee Friedlander.
“The world makes up my pictures, not me.”
“ … photographs are so loaded with information. They’re remarkable. As I said, you get both the tree and the forest.” – Lee Friedlander
“It fascinates me that there is a variety of feeling about what I do. I’m not a premeditative photographer. I see a picture and I make it. If I had a chance, I’d be out shooting all the time. You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.” – Lee Friedlander
“The idea that the snapshot would be thought of as a cult or movement is very tiresome to me and, I’m sure, confusing to others. It’s a swell word I’ve always liked. It probably came about because it describes a basic fact of photography. In a snap, or small portion of time, all that the camera can consume in breadth and bite and light is rendered in astonishing detail: all the leaves on a tree, as well as the tree itself and all its surroundings.” – Lee Friedlander
“I only wanted Uncle Vern standing by his new car (a Hudson) on a clear day. I got him and the car. I also got a bit of Aunt Mary’s laundry and Beau Jack, the dog, peeing on a fence, and a row of potted tuberous begonias on the porch and seventy-eight trees and a million pebbles in the driveway and more. It’s a generous medium, photography.” – Lee Friedlander
“I suspect it is for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain.” – Lee Friedlander
“I take more to the subject than to my ideas about it. I am not interested in any idea I have had, the subject is so demanding and so important.” – Lee Friedlander
“Sometimes just the facts of the matter make it interesting.” – Lee Friedlander
“When you take a picture you haven’t a clue that it is going to be what it is. Maybe you have a clue but you don’t really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?” – Lee Friedlander
“If one really knew what one was doing, why do it? It seems to me if you had the answer why ask the question? The thing is there are so many questions.” – Lee Friedlander
“Anything that looks like an idea is probably just something that has accumulated, like dust. It looks like I have ideas because I do books that are all on the same subject. That is just because the pictures have piled up on that subject. Finally I realize that I am really interested in it. The pictures make me realize that I am interested in something.” – Lee Friedlander
“Photographs also show the way that the camera sees. It’s not just me or you or anybody else. The camera does something that is different from our own setting.” – Lee Friedlander
“… a mysterious intersection of chance and attention that goes well beyond the existential surrealism of the ‘decisive moment’.” – Lee Friedlander
“With a camera like that [a Leica 35mm rangefinder] you don’t believe you’re in the masterpiece business. It’s enough to be able to peck at the world.” – Lee Friedlander
“I always wanted to be a photographer. I was fascinated with the materials. But I never dreamed I would be having this much fun. I imagined something much less elusive, much more mundane.” – Lee Friedlander
Read more in The Essential Collection Of Quotes By Photographers.
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22 Quotes By Photographer James Nachtwey



You’re sure to find many insights in this collection of quotes by photographer James Nachtwey.
“There is a job to be done…to record the truth. I want to wake people up!” – James Nachtwey
“When the truth is spoken, it doesn’t need to be adorned. It just needs to be simply stated, and often it only needs to be said once.” – James Nachtwey
“I try to use whatever I know about photography to be of service to the people I’m photographing.” – James Nachtwey
“The worst thing is to feel that as a photographer I am benefiting from someone else’s tragedy. This idea haunts me. It is something I have to reckon with every day because I know that if I ever allow genuine compassion to be overtaken by personal ambition I will have sold my soul. The stakes are simply too high for me to believe otherwise.” – James Nachtwey
“I attempt to become as totally responsible to the subject as I possibly can. The act of being an outsider aiming a camera can be a violation of humanity. The only way I can justify my role is to have respect for the other person’s predicament. The extend to which I do that is the extent to which I become accepted by the other, and to that extent I can accept myself.” – James Nachtwey
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” – James Nachtwey
“I want my pictures to cut through political abstractions… and make a connection on a human level.” – James Nachtwey
“I want to record history through the destiny of individuals who often belong to the least wealthy classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family.” – James Nachtwey
“Photojournalists know the horrors of war can only be exposed at close range. Kodak Film.” – James Nachtwey
“For me, the strength of photography lies in its ability to evoke a sense of humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war and if it is used well it can be a powerful ingredient in the antidote to war.” – James Nachtwey
“I used to call myself a war photographer. Now I consider myself as an antiwar photographer.” – James Nachtwey
“I want to record history through the destiny of individuals who often belong to the least wealty classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family.” – James Nachtwey
“I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history’s deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” – James Nachtwey
“The greatest statesmen, philosophers, humanitarians … have not been able to put an end to war. Why place that demand on photography?” – James Nachtwey
“Is it possible to put an end to a form of human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance. Yet, that very idea has motivated me.” – James Nachtwey
“But everyone cannot be there, and that is why photographers go there – to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on – to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference – to protest and by the strength of that protest to make others protest.” – James Nachtwey
“If there is something occurring that is so bad that it could be considered a crime against humanity, it has to be transmitted with anguish, with pain, and create an impact in people – upset them, shake them up, wake them out of their everyday routine.” – James Nachtwey
“I don’t believe there’s any such thing as objective reality. It’s only reality as we experience it.” – James Nachtwey
“If I’m feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.” – James Nachtwey
“None of the editors I’ve worked with have ever asked me to pull my punches. They’ve never asked me to give them anything other than my own interpretation of events.” – James Nachtwey
“I don’t think tragic situations are necessarily devoid of beauty.” – James Nachtwey
“It is very hard to say where you’re going until you get there. That kind of thing is based very much on instinct. As a photographer, one of the most important lessons I have learnt is that you have to learn to listen to and trust your own instinct. It has helped to guide me – this far at least.” – James Nachtwey
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8 Quotes By Photographer George Tice

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“Photography teaches us to see, and we can see whatever we wish.  When I take a photograph, I make a wish.  I was always looking for beauty.” – George Tice

“I try to take my interests and make them my work.” – George Tice
“As I progressed further with my project, it became obvious that it was really unimportant where I chose to photograph. The particular place simply provided an excuse to produce work… you can only see what you are ready to see – what mirrors your mind at that particular time.” – George Tice
“It’s never as good the second time. Things don’t get better. You can’t always go back, a lot of it has been erased. The photograph is a record of it having existed.” – George Tice
“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” – George Tice
“The thing itself photographed becomes less interesting when you go back to it years later but I think the photograph becomes more important later when the reality has passed.” – George Tice
“My taking pictures means I’m taking a series of pictures which become an essay and then get extended into a book. That’s what’s exciting, to take an idea and work it through to completion.” – George Tice
“I don’t speak emotionally about my pictures. That’s for other people to do. I will say that I love my photographs. That’s what keeps me going.” – George Tice

Read my conversation with George Tice.

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13 Quotes By Photographer Richard Misrach

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Enjoy this collection of quotes by master photographer Richard Misrach.

“I’ve come to believe that beauty can be a very powerful conveyor of difficult ideas. It engages people when they might otherwise look away.” – Richard Misrach

“It’s hard for art to really solve problems but I’ve come to believe that art is an important way of communicating, not only with current generations, but future generations.” – Richard Misrach

“To me, the work I do is a means of interpreting unsettling truths, of bearing witness, and of sounding an alarm. The beauty of formal representation both carries an affirmation of life and subversively brings us face to face with news from our besieged world.” – Richard Misrach

“I’m not interested in victim photography. Photographing people suffering and putting it on a museum wall is too weird.” – Richard Misrach

“The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular—journalism, documentary studies, and fine-art photography—have become shells, or forms emptied of meaning.” – Richard Misrach

“In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the ‘discovery’ of found narratives, deeply compelling.” – Richard Misrach

“The desert … may serve better as the backdrop for the problematic relationship between man and the environment. The human struggle, the successes … both noble and foolish, are readily apparent in the desert. Symbols and relationships seem to arise that stand for the human condition itself.” – Richard Misrach

“People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.” – Richard Misrach

“The one thing that seems to be consistent through all my work that I like, and I experimented a lot, is the viewer is allowed to meditate on something that normally we don’t stop and stare at, whether it’s people or a cactus.” – Richard Misrach

“One of the things that was really influential early on was Ezra Pound’s Cantos, one poem he worked on for 50 years. It’s epic. I had a great deal of difficulty understanding it. One of the problems was you’d be reading along in English and he would move to a Chinese ideogram or French–he actually used seven different languages in a given poem. And for somebody who’s not fluent in different languages it has the impact of rupturing your way of understanding something. It was very purposeful on his part to put these obstacles of language in there so that you become conscious of the whole system. You don’t get a neat narrative or a neat poem. Once you run into these obstacles of language you have to stop and think about other things. So, for me, in putting The Playboys or The Paintings or these language things in with these more conventional landscapes they inform each other. It does scatter, it does rupture, the way cubist paintings would. Each gives you a different way to approach something and sheds light on everything else.” – Richard Misrach

“Our experience with knowledge, the way we know things, is not that neat. It doesn’t fit into a grand narrative, the way we’ve been taught to read.” – Richard Misrach

“I am not unaware that I have the mindset, as contradictory as it may sound, to discover in the world what I am in fact looking for. Perhaps the best pictures are a seamless hybrid of discovery and construction.” – Richard Misrach

“Whatever else a photograph may be about, it is always about time.” – Richard Misrach

“I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.” – Richard Misrach

Read my conversation with Richard Misrach.

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21 Quotes By Photographer Fredrick Sommer

 
Enjoy this collection of quotes by photographer Fredrick Sommer.
“The only way to understand something is to be confronted by something that is difficult to understand.” – Frederick Sommer
“Everything is shared by everything else; there are no discontinuities.” – Frederick Sommer
“The coherent way of investigating any field is to examine its possible relatedness to other things.” – Frederick Sommer
“Photography is a distributive act leading to a privileged condition.” – Frederick Sommer” – Fred Sommer
“Life itself is not the reality. We are the ones who put life into stones and pebbles.” – Frederick Sommer
“Some speak of a return to nature. I wonder where they could have been.” – Frederick Sommer
“… art is images you carry. You cannot carry nature with you, but you carry images of nature. When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.” – Frederick Sommer
“The field of action of a photograph should be that chessboard of the heart and mind upon which poetry and art have always operated.” – Frederick Sommer
“My photographs are not pure: they are a seething wealth of imperfection.” – Frederick Sommer
“Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play.” – Frederick Sommer
“If I could find them (assemblages) in nature I would photograph them. I make them because through photography I have a knowledge of things that can’t be found.” – Frederick Sommer
“Art is not arbitrary. A fine painting is not there by accident; it is not arrived at by chance.” – Frederick Sommer
“Art and accident are one.” – Frederick Sommer
“Choice and chance structure art and nature.” – Frederick Sommer
“Ideas and thoughts collide and sort themselves out in these fruitful collisions.” – Frederick Sommer
“Ideas and art are the possibility of an answer tomorrow.” – Frederick Sommer
“Art accepts what it finds.” – Frederick Sommer
“In total acceptance, almost everything becomes a revelation.” – Frederick Sommer
“Art is the splendor of reality before everything has become meaning.” – Frederick Sommer
“Reality is greater than our dreams.” – Frederick Sommer
“We work for that part of our vision which is uncompleted.” – Frederick Sommer
View 12 Great Photographs By Fredrick Sommer.
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32 Quotes By Photographer Walker Evans

 
Enjoy this collection of quotes by photographer Walker Evans.
“The eye traffics in feelings, not in thoughts.” ― Walker Evans,
“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” – Walker Evans
“Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.” – Walker Evans
“I think there is a period of esthetic discovery that happens to a man and he can do all sorts of things at white heat.” – Walker Evans
“With the camera, it’s all or nothing. You either get what you’re after at once, or what you do has to be worthless. I don’t think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.” – Walker Evans
Interviewer: “Do you think it’s possible for the camera to lie?”
Walker Evans: “It certainly is. It almost always does.” – Walker Evans
“I’m sometimes called a ‘documentary photographer’ but… a man operating under that definition could take a sly pleasure in the disguise. Very often I’m doing one thing when I’m thought to be doing another.” – Walker Evans
“Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless.” – Walker Evans
“I used to try to figure out precisely what I was seeing all the time, until I discovered I didn’t need to. If the thing is there, why, there it is.” – Walker Evans
“Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let’s say, “visual impact” may not mean much to anybody. I could point it out though. I mean it’s a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong…” – Walker Evans
“What I believe is really good in the so-called documentary approach to photography is the addition of lyricism. This quality is usually produced unconsciously and even unintentionally and accidentally by the cameraman.” – Walker Evans
“The secret of photography is, the camera takes on the character and personality of the handler.” – Walker Evans
“When I first made photographs, they were too plain to be considered art and I wasn’t considered an artist. I didn’t get any attention at all. The people who looked at my work thought, well, that’s just a snapshot of the backyard. Privately I knew otherwise and through stubbornness stayed with it…” – Walker Evans
“I began to wonder – I knew I was an artist or wanted to be one – but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, ‘Well, that’s nothing. What did you do that for? That’s just a wreck of a car or a wreck of a man. That’s nothing. That isn’t art.’ They don’t say that anymore. – Walker Evans
“Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.” – Walker Evans
“The meaning of quality in photography’s best pictures lies written in the language of vision. That language is learned by chance, not system; …our overwhelming formal education deals in words, mathematical figures and methods of rational thought, not in images.” – Walker Evans
“The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader’s eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary.” – Walker Evans
“Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.” – Walker Evans
“It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.” – Walker Evans
“I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don’t know where you get the impetus and response to what’s before your eyes.” – Walker Evans
“I do note that photography, a despised medium to work in, is full of empty phonies and worthless commercial people. That presents quite a challenge to the man who can take delight in being in a very difficult, disdained medium.” – Walker Evans
“I say half jokingly that photography is the most difficult of the arts. It does require a certain arrogance to see and to choose. I feel myself walking on a tightrope instead of on the ground.” – Walker Evans
“Good photography is unpretentious.” – Walker Evans
“Do we know what we look like? Not really.” – Walker Evans
“…nature photographs downright bore me for some reason or other. I think: ‘Oh, yes. Look at that sand dune. What of it?’” – Walker Evans
“Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances it is anything ever anywhere near a beach.” – Walker Evans
“Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate.” – Walker Evans
“It’s easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.” – Walker Evans
“Privilege, if you’re very strict, is an immoral and unjust thing to have, but if you’ve got it you didn’t choose to get it and you might as well use it. You’re privileged to be at Yale, but you know you’re under an obligation to repay what’s been put into you.” – Walker Evans
“I never took it upon myself to change the world. And those contemporaries of mine who were going around falling for the idea that they were going to bring down the United States government and make a new world were just asses to me.” – Walker Evans
“It’s too presumptuous and naïve to think you can change society by a photograph or anything else… I equate that with propaganda; I think that’s a lower rank of purpose.” – Walker Evans
“Die knowing something. You’re not here long.” ― Walker Evans
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27 Quotes By Photographer Gary Winogrand

 
Enj0y this collection of quotes by photographer Gary Winogrand.
“Photography is not about the thing photographed. It is about how that thing looks photographed.” – Garry Winogrand
“The photo is a thing in itself. And that’s what still photography is all about.” – Garry Winogrand
“I photograph to find out what something will look like photographed.” – Garry Winogrand
“I have a burning desire to see what things look like photographed by me.” – Garry Winogrand
“Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand
“In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it’s something else.” – Garry Winogrand
“The photograph should be more interesting or more beautiful than what was photographed.” – Garry Winogrand
“There is nothing as mysterious as a fact clearly described I like to think of photographing as a two way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.” – Garry Winogrand
“What I write here is a description of what I have come to understand about photography, from photographing and from looking at photographs. A work of art is that thing whose form and content are organic to the tools and materials that made it. Still photography is a chemical, mechanical process. Literal description or the illusion of literal description, is what the tools and materials of still photography do better than any other graphic medium. A still photograph is the illusion of a literal description of how a camera saw a piece of time and space. Understanding this, one can postulate the following theorem: Anything and all things are photographable. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. Therefore, a photograph can look any way. Or, there’s no way a photograph has to look (beyond being an illusion of a literal description). Or, there are no external or abstract or preconceived rules of design that can apply to still photographs. I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing as it is. A photograph must be responsible to both.” – Garry Winogrand
“Photographers mistake the emotion they feel while taking the picture as judgment that the photograph is good.” – Garry Winogrand
“If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.”- Garry Winogrand
“You see something happening and you bang away at it. Either you get what you saw or you get something else – and whichever is better you print.” – Garry Winogrand
“There is no special way a photograph should look.” – Garry Winogrand
“A photograph can look any way.” – Garry Winogrand
“Every photograph is a battle of form versus content.” – Garry Winogrand
“Photos have no narrative content. They only describe light on surface.” – Garry Winogrand
“For me the true business of photography is to capture a bit of reality (whatever that is) on film… if, later, the reality means something to someone else, so much the better.” – Garry Winogrand
“I don’t have messages in my pictures…The true business of photography is to capture a bit of reality (whatever that is) on film.” – Garry Winogrand
“I don’t have anything to say in any picture. My only interest in photography is to see what something looks like as a photograph. I have no preconceptions.” – Garry Winogrand
“I get totally out of myself. It’s the closest I come to not existing, I think, which is the best – which is to me attractive.” – Garry Winogrand
“I really try to divorce myself from any thought of possible use of this stuff. That’s part of the discipline. My only purpose while I’m working is to try to make interesting photographs, and what to do with them is another act – an alter consideration. Certainly while I’m working, I want them to be as useless as possible.” – Garry Winogrand
“No one moment is most important. Any moment can be something.” – Garry Winogrand
“The only thing that’s difficult is reloading when things are happening. Can you get it done fast enough?” – Garry Winogrand
“There are no photographs while I’m reloading” – Garry Winogrand
“You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.” – Garry Winogrand
“There are things I back off from trying to talk about, you know. Particularly my own work. Also, there may be things better left unsaid. At times I’d much rather talk about other (people’s) work.” – Garry Winogrand
“Great photography is always on the edge of failure.” – Garry Winogrand
 View 12 Great Photographs By Gary Winogrand here.
Read more in The Essential Collection Of Photographer’s Quotes.

31 Quotes By Photographer Elliot Erwitt

 
“It’s about time we started to take photography seriously and treat it as a hobby.” – Elliott Erwitt
“I’m an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.” – Elliott Erwitt
“I’ll always be an amateur photographer.” – Elliott Erwitt
“I’m not a serious photographer like many of my contemporaries. That is to say, I am serious about not being serious.” – Elliott Erwitt
“It’s just seeing – at least the photography I care about. You either see or you don’t see. The rest is academic. Anyone can learn how to develop. It’s how you organize what you see into a picture.” – Elliott Erwitt
“Making pictures is a very simple act. There is no great secret in photography…schools are a bunch of crap. You just need practice and application of what you’ve learned. My absolute conviction is that if you are working reasonably well the only important thing is to keep shooting…it doesn’t matter whether you are making money or not. Keep working, because as you go through the process of working things begin to happen.” – Elliott Erwitt
“Photography is pretty simple stuff. You just react to what you see, and take many, many pictures.” – Elliott Erwitt
“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place…. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt
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17 Quotes By Photographer John Sexton

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Enjoy this collection of quotes by photographer John Sexton.
“It is light that reveals, light that obscures, light that communicates. It is light I “listen” to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quite, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening – a time for making photographs.” – John Sexton
“I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example; he is a consummate professional, but he’s also an ‘amateur’ in the pure sense of the word.” – John Sexton
“When I’m about ready to press the cable release on the View camera, I’ve tried to anticipate some of the challenges I’m going to encounter in the darkroom.” – John Sexton
“Some times I’ll peek out from underneath the focusing cloth and just look around the edges of the frame that I’m not seeing, see if there’s something that should be adjusted in terms of changing the camera position.” – John Sexton
“Pictures you have taken have an influence on those that you are going to make.” – John Sexton
“The reason I do workshops is so I can learn, and I am fortunate that I’ve probably gained more from the whole experience of teaching than any one participant has. It is all about asking.” – John Sexton
“A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can – that’s where most of my prints end up.” – John Sexton
“Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.” – John Sexton
“For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.” – John Sexton
“I’ve found even after nearly 30 years of doing this, there are all kinds of new surprises that rear their heads at various times and I truly believe that 51% of the images, success takes place in the darkroom.” – John Sexton
“There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn’t be visible at all, it should be transparent.” – John Sexton
“I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.” – John Sexton
“I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.” – John Sexton
“Whatever it takes to get the image to reach that level is what that photographer needs to do.” – John Sexton
“When the object that is produced, the photographic image has the ability to make tears come to your eyes; to inspire you to the point where you have to catch your breath, then nothing else matters.” – John Sexton
“We all start in this medium because of the magic and the challenge is to keep it going.” – John Sexton
“I really don’t have any secrets. I’ve never met a photographer whose work I respected that had a secret because the secret lies within each and every one of us.” – John Sexton
View 12 Great Photographs By John Sexton here.
Watch a documentary on John Sexton here.

Find more quotes in The Essential Collection Quotes By Photographers.