22 Quotes By Photographer Robert Mapplethorpe

Photographers - Quotes  Comment
0 Likes

 
Here’s a selection of quotes by photographer Robert Mapplethorpe.
“If a day goes by without my doing something related to photography, it’s as though I’ve neglected something essential to my existence, as though I had forgotten to wake up.” – Robert Mapplethorpe
“I never liked photography. Not for the sake of photography. I like the object. I like the photographs when you hold them in your hand.” – Robert Mapplethorpe
“To make pictures big is to make them more powerful.” – Robert Mapplethorpe
“I like to look at pictures, all kinds. And all those things you absorb come out subconsciously one way or another. You’ll be taking photographs and suddenly know that you have resources from having looked at a lot of them before. There is no way you can avoid this. But this kind of subconscious influence is good, and it certainly can work for one. In fact, the more pictures you see, the better you are as a photographer.” – Robert Mapplethorpe
“With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorpe
“…My whole point is to transcend the subject. …Go beyond the subject somehow, so that the composition, the lighting, all around, reaches a certain point of perfection. That’s what I’m doing. Whether it’s a cock or a flower, I’m looking at it in the same way. …in my own way, with my own eyes.” – Robert Mapplethorpe
“When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist.” – Robert Mapplethorpe
“I am obsessed with beauty. I want everything to be perfect, and of course it isn’t. And that’s a tough place to be because you’re never satisfied.” – Robert Mapplethorpe
“Beauty and the devil are the same thing.” – Robert Mapplethorpe
“When I work, and in my art, I hold hands with God.” – Robert Mapplethorpe
“I don’t know why my pictures come out looking so good. I just don’t get it.” – Robert Mapplethorpe
“I always thought I was good. That’s why it was so frustrating when other people didn’t agree.” – Robert Mapplethorpe
“One must ease the public into it – that’s an art in itself.”- Robert Mapplethorpe
“Sell the public flowers… things that they can hang on their walls without being uptight.”- Robert Mapplethorpe
“I recorded that because it happened to me. I wasn’t making a point.” – Robert Mapplethorpe
“My lifestyle is bizarre, but the only thing you need to know is where the darkroom is.” – Robert Mapplethorpe
“I went into photography because it seemed like the perfect vehicle for commenting on the madness of today’s existence.” – Robert Mapplethorpe
“People don’t have time to wait for somebody to paint their portraits anymore. The money is in photography.”- Robert Mapplethorpe
“My theory about creativity is that the more money one has, the more creative one can be.” – Robert Mapplethorpe
“The photographs that are art have to be separated from the rest – then preserved.” – Robert Mapplethorpe
“I don’t think any collector knows his true motivation.” – Robert Mapplethorpe
“I’m looking for the unexpected. I’m looking for things I’ve never seen before”. – Robert Mapplethorpe
Read more Photographer’s Quotes here.

19 Quotes By Photographer William Eggleston

Photographers - Quotes  Comment
4 Likes

 
Here’s a selection of quotes by phot0grapher William Eggleston.
“I am at war with the obvious.” – William Eggelston
“You can take a good picture of anything. A bad one, too.” – William Eggelston
“I had this notion of what I called a democratic way of looking around, that nothing was more or less important.” – William Eggelston
“It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.” – William Eggelston
” Whatever it is about pictures, photographs, it’s just about impossible to follow up with words. They don’t have anything to do with each other.” – William Eggelston
“I want to make a picture that could stand on its own, regardless of what it was a picture of. I’ve never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something. ” – William Eggelston
“I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.” – William Eggelston
“I don’t have a burning desire to go out and document anything. It just happens when it happens. It’s not a conscious effort, nor is it a struggle. Wouldn’t do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.” – William Eggelston
“There is no particular reason to search for meaning.” – William Eggelston
“A picture is what it is and I’ve never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn’t make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they’re right there, whatever they are.” – William Eggelston
“I never know beforehand. Until I see it. It just happens all at once. I take a picture very quickly and instantly forget about it.” – William Eggelston
” I don’t really look at other people’s photographs at all. It takes enough time to look at my own.” – William Eggelston
” I don’t have favorites. I look at pictures democratically. To me they are all equal. ” – William Eggelston
” I just wait until [my subject] appears, which is often where I happen to be. Might be something right across the street. Might be something on down the road. And I’m usually very pleased when I get the image back. It’s usually exactly what I saw. I don’t have any favorites. Every picture is equal but different.” – William Eggelston
“I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify. ” – William Eggelston
“I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.” – William Eggelston
“Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.” – William Eggelston
“You become technically proficient whether you want to or not, the more you take pictures.” – William Eggelston
“Photography just gets us out of the house.” – William Eggelston
Read more Photographer’s Quotes here.

24 Quotes By Photographer Ernst Haas

Photographers - Quotes  Comment
0 Likes

 
Here’s a selection of my favorite quotes by photographer Ernst Haas.
“With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will.” – Ernst Haas
“We can write the new chapters in a visual language whose prose and poetry will need no translation.” – Ernst Haas
“There are almost too many possibilities. Photography is in direct proportion with our time: multiple, faster, instant. Because it is so easy, it will be more difficult.” – Ernst Haas
“Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent… the camera…” – Ernst Haas
“A few words about the question of whether photography is art or not: I never understood the question.” – Ernst Haas
“There are two kinds of photographers: those who compose pictures and those who take them. The former work in studios. For the latter, the studio is the world…. For them, the ordinary doesn’t exist: every thing in life is a source of nourishment.” – Ernst Haas
“The best pictures differentiate themselves by nuances…a tiny relationship – either a harmony or a disharmony – that creates a picture.” – Ernst Haas
“Best wide-angle lens? Two steps backward. Look for the ‘ah-ha’.” – Ernst Haas
“The most important lens you have is your legs.” – Ernst Haas
“The camera doesn’t make a bit of difference. All of them can record what you are seeing. But, you have to SEE.” – Ernst Haas
“The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos.” – Ernst Haas
“You don’t take pictures; the good ones happen to you.” – Ernst Haas
“Learn by doing or even better unlearn by doing.” – Ernst Haas
“Don’t park… Arrival is the death of inspiration.” – Ernst Haas
“I am not interested in shooting new things – I am interested to see things new.” – Ernst Haas
“A picture is the expression of an impression. If the beautiful were not in us, how would we ever recognize it?” – Ernst Haas
“You become things, you become an atmosphere, and if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it and I think a photographer can do that too and that I would call the dreaming with open eyes.” – Ernst Haas
“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas
“I want to be remembered much more for a total vision than for a few perfect single pictures.” – Ernst Haas
“I prefer to be noticed some day, first for my ideas and second for my good eye…” – Ernst Haas
“Only a vision – that is what one must have.” – Ernst Haas
“Style has no formula, but it has a secret key. It is the extension of your personality. The summation of this indefinable net of your feeling, knowledge and experience.” – Ernst Haas
“In every artist there is poetry. In every human being there is the poetic element. We know, we feel, we believe.” – Ernst Haas
“Every work of art has its necessity; find out your very own. Ask yourself if you would do it if nobody would ever see it, if you would never be compensated for it, if nobody ever wanted it. If you come to a clear ‘yes’ in spite of it, then go ahead and don’t doubt it anymore.” – Ernst Haas
Read more photographer’s quotes here.
View photographer’s favorite quotes here.

22 Quotes By Photographer Minor White

Photographers - Quotes  Comment
1 Like

 
Here’s a selection of my favorite quotes by Minor White.
“Photography is a language more universal than words.” – Minor White
“At first glance a photograph can inform us. At second glance it can reach us.” – Minor White
“There’s no particular class of photograph that I think is any better than any other class. I’m always and forever looking for the image that has spirit! I don’t give a damn how it got made.” – Minor White
“A very receptive state of mind… not unlike a sheet of film itself – seemingly inert, yet so sensitive that a fraction of a second’s exposure conceives a life in it.” – Minor White
“…innocence of eye has a quality of its own. It means to see as a child sees, with freshness and acknowledgment of the wonder; it also means to see as an adult sees who has gone full circle and once again sees as a child – with freshness and an even deeper sense of wonder.” – Minor White
“Photographers who come up with power never get accused of imitating anyone else even though they photograph the same broom, same street, same portraits.” -Minor White
“The photographer projects himself into everything he sees, identifying himself with everything in order to know it and to feel it better.” – Minor White
“When I looked at things for what they are I was fool enough to persist in my folly and found that each photograph was a mirror of my Self.” – Minor White
“…all photographs are self-portraits.” – Minor White
“Be still with yourself until the object of your attention affirms your presence.” – Minor White
“No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.” – Minor White
“One should not only photograph things for what they are but for what else they are.” – Minor White
“While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.” – Minor White
“It is curious that I always want to group things, a series of sonnets, a series of photographs; whatever rationalizations appear, they originate in urges that are rarely satisfied with single images.” – Minor White
“To engage a sequence we keep in mind the photographs on either side of the one in our eye.” – Minor White
“In putting images together I become active, and excitement is of another order – synthesis overshadows analysis.” – Minor White
“Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair, or triplet of essential images.” – Minor White
“Reaching a ‘creative’ state of mind thru positive action is considered preferable to waiting for ‘inspiration’.” – Minor White
“I have often photographed when I am not in tune with nature but the photographs look as if I had been. So I conclude that something in nature says, ‘Come and take my photograph.’ So I do, regardless of how I feel.” – Minor White
“When gifts are given to me through my camera, I accept them graciously.” – Minor White
“I’m always mentally photographing everything as practice.” – Minor White
“We could teach photography as a way to make a living, and best of all, somehow to get students to experience for themselves photography as a way of life.” – Minor White 
Read more photographer’s quotes here.
View photographer’s favorite quotes here.

33 Quotes By Photographer John Paul Caponigro

Photographers - Quotes  Comment
0 Likes

ExhalationIV_2006_425
Here are my favorite quotes by photographer John Paul Caponigro.

“A good question has many answers.” – John Paul Caponigro

“It takes asking many questions from many perspectives to truly understand something.” – John Paul Caponigro

“Inquiry is more important than answers, for it is the questions we ask and the way in which we ask them that defines us.” – John Paul Caponigro

“How do we know what we know? Is seeing believing? Is believing seeing?” – John Paul Caponigro

“The most important question is, ‘Am I asking the most important question?’ The second most important question is, ‘Am I asking the most important question in the most important way?'” – John Paul Caponigro

“Don’t ask “‘Should I …?’. Instead, ‘Ask what happens if I …?'” – John Paul Caponigro

“Action tests ideas.” – John Paul Caponigro

“It’s one thing to record the appearance of something, it’s another to share what it truly means to you.” – John Paul Caponigro

“Capturing the light reflected off things is different than being captured by them.” – John Paul Caponigro

“Seen from one perspective, photography is much more about elimination than inclusion. The images we make with a lens typically eliminate eighty percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. Can we accurately call these kinds of artifacts unaltered? The act of creation is an alteration.” – John Paul Caponigro

“Every photograph is altered, to one degree or another.” – John Paul Caponigro

“Images are altered in many ways, to many degrees, and for many reasons, so it’s important for viewers to be informed of both.” – John Paul Caponigro

“It’s important that we regularly reconsider, revise, and expand our practices, as our capabilities and needs evolve, both to strengthen our understanding of them and to promote our awareness of new practices and their conscientious uses.” – John Paul Caponigro

“We don’t have enough words for photography. Can you imagine writers having only one word for writing?” – John Paul Caponigro

“Listen carefully. The way(s) we speak about things is revealing.” – John Paul Caponigro

“Many times we are tempted to defer to the documents we create, rather than the direct experiences we have.” – John Paul Caponigro

“Very often there is too little information in photographs to deduce how they were made and even what they represent. We rely on context and supplemental information to confirm our observations, not simply the documents themselves.” – John Paul Caponigro

“Different people can photograph the same things with the same tools and create such different images.” – John Paul Caponigro

“We are the strongest filter we can place on the lens. We always point the lens both outward and inward.” – John Paul Caponigro

“We’re responsible for everything that’s included in the frame. We’re also responsible for what’s not included in the frame. We’re responsible for the way we frame the world.” – John Paul Caponigro

“The frame frames a frame of mind.” – John Paul Caponigro

“We see the world through our experience.” – John Paul Caponigro

“Photography extends our perception allowing us to see and experience more – second hand.” – John Paul Caponigro

“Photographs are never records of the way things are; they’re records of the way things were.” – John Paul Caponigro

“Surfaces simultaneously reveal and conceal.” – John Paul Caponigro

“All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself.” – John Paul Caponigro

“A photograph is an invitation to look – and to look at looking.” – John Paul Caponigro

“Many oriental cultures make a distinction between two ways of looking – ‘hard eyes’ and ‘soft eyes’. When we look with hard eyes, we see specific details with sharp focus, but we don’t see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don’t see all the details as clearly. It’s possible to look in two ways at once.” – John Paul Caponigro

“Looking and seeing are two different things.” – John Paul Caponigro

“Seeing creates growth.” – John Paul Caponigro

“The best plans evolve.” – John Paul Caponigro

“We talk about the vulnerability involved in sharing our work publicly. I don’t think we talk enough about the real vulnerability involved in making art; if we truly engage the process we are changed by it.” – John Paul Caponigro

“Art is a journey of discovery.” – John Paul Caponigro

“Through the experience of art, the powers of perception and transformation can be awakened, in both those who create it and those who re-perceive it.” – John Paul Caponigro

“It’s one thing to make a beautiful thing; it’s another thing to make a living thing.” – John Paul Caponigro

“My mantra is, ‘This or something better.'” – John Paul Caponigro

Read our conversation here.
Read more photographer’s quotes here.

21 Quotes By Photographer Paul Caponigro

Photographers - Quotes  Comment
0 Likes

PaulCaponigro_RunningWhiteDeer425
PaulCaponigro_RockWall
Here’s a selection of my favorite quotes by photographer Paul Caponigro.
(My father has a lot to say about the creative process!)

“Photography is a medium, a language, through which I might come to experience directly, live more closely with, the interaction between myself and nature.” – Paul Caponigro

“I often see the materials of photography as being a type of terrain. Emulsions, liquid developers, silver salts, and fixers interact, and I construct a landscape that I need to first explore in my mind’s eye if I am to make it manifest as an artful image in silver.” – Paul Caponigro

“Photography’s potential as a great image-maker and communicator is really no different from the same potential in the best poetry where familiar, everyday words, placed within a special context, can soar above the intellect and touch subtle reality in a unique way.” – Paul Caponigro

“The key is to not let the camera, which depicts nature in so much detail, reveal just what the eye picks up, but what the heart picks up as well.” – Paul Caponigro

“Some of my photographs have always been a mystery to me in terms of how I arrived at them. Even with the technical ability to produce fine prints, I am hard put to know how it happens, yet unless technique and materials are seriously investigated and experienced, I see that moving statements are seldom made. The process of photography ever invites me. I hope never to lose this feeling. At times I make photographs for the sheer magic of its process, and the good feeling about the very stuff needed: light, chemical combinations, some imperceptible forces at work behind the scene. I am part of the drama which takes the guise of photography.” – Paul Caponigro

“The influence of mystery is the greatest influence.” – Paul Caponigro

“Keep alive the fact that a mystery has come into existence and that a physical being serves as a house for this mystery.” – Paul Caponigro

“At the root of creativity is an impulse to understand, to make sense of random and often unrelated details. For me, photography provides an intersection of time, space, light, and emotional stance. One needs to be still enough, observant enough, and aware enough to recognize the life of the materials, to be able to ‘hear through the eyes.” – Paul Caponigro

“… the effort, diligence, and care required in practicing must be quickly suspended when pressure coming from anxiety or a desire for fast results causes them to degenerate.”  – Paul Caponigro

“Under all of the factors that make up the art world, it’s up to the individual artist to discern which of those influences are present and at what time and what really serves the deeper process that is constantly running like a stream underground. Influence is incessant. Influence is a fact. But, carry a big shovel and dig constantly to clear away all the unessentials so that the origins of mystery and the poetic force of life can get into and inspire the work.” – Paul Caponigro

“Photography attracted me before I ever knew that it was a part of a structured world. I saw a camera which my grandmother wielded. I thought it was fascinating. I didn’t know about famous artists and museums and magazines. I innocently met that process. And I excitedly engaged it to the best of my ability. Later, because my excitement was so strong, I realized that this could be a medium through which I could work. Then I had to meet the whole world of photography; manufacturers, materials, hype, galleries, dealers, critics, etc. Somehow I did not lose sight of that initial innocence. I realized that unless I could stay free, unidentified, unless I could keep my personality from going crazy with the adulation or the lack of it I was not going to maintain that innocence. I realized that the innocence was the important state that called forth the inspiration into the process.” – Paul Caponigro

“The only way a work of art can become great is for one to acknowledge that it doesn’t belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like “this is mine”, “I did it”, “this is original”, “nobody else has done it”, it goes straight for greatness or the essential spirit.” – Paul Caponigro

“If you are engaging rationality, you are already engaging a place that makes you unavailable. Only when I recognize that inspiration has announced itself to my availability will I then say I need to use my mind to calculate exposure, my emotions to position myself and arrange a configuration of shapes that need to come into being, my body to put it all in place because we have been given a message and it has come through inspiration through being available.’ – Paul Caponigro

“Being available is very important. I’ve spent a lot of time working in the British Isles at so called pre-historic sacred sites. I quickly realized that I wasn’t going to go there and force a composition or extract any kind of typicality to make pictures which were expected by the audience within the world of photography. I could have been quite clever and made very pleasing pictures. But I was affected by being available to those sites a few times. When I dropped all those concerns, mentally, emotionally, physically, I was available. I was free in those areas. I didn’t think, “I’ve got to get the ultimate in composition today.” or “I’ve got to get the ultimate in light, I’ll stay here until it appears.” I was not making any demands. I went purely to see what would come, what might be there. I didn’t have to be archaeologist or historian or tourist, I just needed to be available.” – Paul Caponigro

“As far as my experience goes one is automatically in touch with the higher spiritual, it is connected to a certain level that interpenetrates our total physical and psychic existence. We are always in touch with it.” – Paul Caponigro

“Can you keep your balance? Can you see what and where you are at any given moment?” – Paul Caponigro

“I use my music to tune myself.” – Paul Caponigro

“Seek freedom within action.” – Paul Caponigro

“Work incessantly, cultivate discrimination, gather freedom from your own hard-earned results. Disregard successes but go back for help in an immediate problem. The possibility of discovery is everywhere. Freedom from your own work allows for intuition that draws from all your experience and perception but goes beyond it.” – Paul Caponigro

“Recording the light of the outer subject can be linked with gaining access to one’s inner light.” – Paul Caponigro

“All that I have achieved are these dreams locked in silver.” – Paul Caponigro

Read more photographer’s quotes here.
View photographer’s favorite quotes here.
Read our father/son conversation here.

23 Quotes By Photographer Edward Weston

Photographers - Quotes  Comment
2 Likes

 
Here’s a selection of my favorite quotes by photographer Edward Weston.
“Photography suits the temper of this age – of active bodies and minds. It is a perfect medium for one whose mind is teeming with ideas, imagery, for a prolific worker who would be slowed down by painting or sculpting, for one who sees quickly and acts decisively, accurately.” – Edward Weston
“I would say to any artist: ‘Don’t be repressed in your work, dare to experiment, consider any urge, if in a new direction all the better.” – Edward Weston
“My own eyes are no more than scouts on a preliminary search, for the camera’s eye may entirely change my idea.” – Edward Weston
“The camera sees more than the eye, so why not make use of it?” – Edward Weston
“Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.” – Edward Weston
“Anything more than 500 yards from the car just isn’t photogenic.”  – Edward Weston
“I see no reason for recording the obvious.” – Edward Weston
“I want the stark beauty that a lens can so exactly render presented without interference of artistic effect.” – Edward Weston
“My true program is summed up in one word: life. I expect to photograph anything suggested by that word which appeals to me.” – Edward Weston
“The camera should be used for a recording of life,for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.” – Edward Weston
“This then: to photograph a rock, have it look like a rock, but be more than a rock.” – Edward Weston
“To compose a subject well means no more than to see and present it in the strongest manner possible.” – Edward Weston
“Now to consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk. Such rules and laws are deduced from the accomplished fact; they are the products of reflection.” – Edward Weston
“When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision. Following rules of composition can only lead to a tedious repetition of pictorial cliches.” – Edward Weston
“One does not think during creative work, any more than one thinks when driving a car. But one has a background of years – learning, unlearning, success, failure, dreaming, thinking, experience, all this – then the moment of creation, the focusing of all into the moment. So I can make ‘without thought,’ fifteen carefully considered negatives, one every fifteen minutes, given material with as many possibilities. But there is all the eyes have seen in this life to influence me.” – Edward Weston
“I start with no preconceived idea – discovery excites me to focus – then rediscovery through the lens – final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure – the shutter’s release automatically and finally fixes my conception, allowing no after manipulation – the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.” – Edward Weston
“I find myself every so often looking at my ground glass as though the unrecorded image might escape me!” – Edward Weston
“Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.” – Edward Weston
“The fact is that relatively few photographers ever master their medium. Instead they allow the medium to master them and go on an endless squirrel cage chase from new lens to new paper to new developer to new gadget, never staying with one piece of equipment long enough to learn its full capacities, becoming lost in a maze of technical information that is of little or no use since they don’t know what to do with it.” – Edward Weston
“The photographer’s most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically – that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.” – Edward Weston
“The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer’s understanding of his subject and mastery of his process.” – Edward Weston
“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston
“…through this photographic eye you will be able to look out on a new light-world, a world for the most part uncharted and unexplored, a world that lies waiting to be discovered and revealed.” – Edward Weston
Read more photographer’s quotes here.
View photographer’s favorite quotes here.

22 Quotes By Photographer Ansel Adams

Photographers - Quotes  Comment
1 Like

 
Here’s a collection of my favorite quotes by photographer Ansel Adams.
“The single most important component of a camera is the twelve inches behind it.” – Ansel Adams
“You don’t take a photograph, you make it.” – Ansel Adams
“There are always two people in every picture:  the photographer and the viewer.” – Ansel Adams
“To photograph truthfully and effectively is to see beneath the surfaces.” – Ansel Adams
“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.” – Ansel Adams
“A photograph is usually looked at – seldom looked into.” – Ansel Adams
“Photography is more than a medium for factual communication of ideas. It is a creative art.” – Ansel Adams
“No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.” – Ansel Adams
“We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.” – Ansel Adams
“Photography, as a powerful medium…offers an infinite variety of perception, interpretation and execution.” – Ansel Adams
“There’s nothing worse than a sharp image of a fuzzy concept.” – Ansel Adams
“The sheer ease with which we can produce a superficial image often leads to creative disaster.” – Ansel Adams
“Twelve significant photographs in any one year is a good crop.” – Ansel Adams
“Landscape photography is the supreme test of the photographer, and often the supreme disappointment.” – Ansel Adams
“Sometimes I do get to places just when God’s ready to have somebody click the shutter.” – Ansel Adams
“Notebook. No photographer should be without one.” – Ansel Adams
“…one sees differently with color photography than black-and-white… in short, visualization must be modified by the specific nature of the equipment and materials being used.” – Ansel Adams
“The negative is the equivalent of the composer’s score, and the print the performance.” – Ansel Adams
“Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.” – Ansel Adams
“A true photograph need not be explained, nor can it be contained in words.” – Ansel Adam
“When words become unclear, I shall focus with photographs.  When images become inadequate, I shall be content with silence.” – Ansel Adams
“I am sure the next step will be the electronic image, and I hope I shall live to see it. I trust that the creative eye will continue to function, whatever technological innovations may develop.” – Ansel Adams
Find more photographer’s quotes here.
View photographer’s favorite quotes here.

Seat Assignment – Nina Katchadourian

Photographers  Comment
0 Likes


Creative. Smart. Hillarious.
What will you do on your next flight?
“Improvising with materials close at hand, “Seat Assignment” consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 75 different flights to date, constitute the raw material of the project. Visit www.ninakatchadourian.com for more information.”

Eliot Porter – Environmental Advocacy Through The Arts

My Influences, My Influences - Photographic, Photographers  Comment
0 Likes



No other photographer is more influential to me than Eliot Porter – save my father. I knew Eliot through my mother’s long collaboration with him designing and overseeing the production of over twelve of his books during my formative years. His influences on me are too numerous and wide-ranging to list them all here. A few stand out from the rest.

Eliot was a pioneer who elevated the use of, appreciation of, and collectability of color within the medium of photography, aligning his distinctive style with the subtle and complex palette of nature.

Eliot was probably the most widely published fine art photographer of his day. He was at the forefront of a handful of photographers that defined a style that would later characterize an entire genre of photographic environmental advocacy. It was during the production of Eliot’s book Intimate Landscapes where I was first introduced to digital imaging. When I saw the Scitex machines used in the 1970s I instantly wanted to use them for artistic rather than commercial purposes, but thought it might be a lifetime before I could afford what my mother called a “million dollar coloring book” until I got my own copy of the first version of Adobe Photoshop, which was a dream come true. The posters my mother designed to promote the book and exhibit ultimately became some of the Metropolitan Museum’s most successful, far exceeding the reach of the originals. I learned that an artist’s effectiveness could be dramatically extended beyond rare original works of art through publications made available to large audiences.

James Gleick’s (the author who popularized complexity sciences and fractal geometry in his best-selling book Chaos) choice to join forces with Eliot on their book Nature’s Chaos confirmed my opinion that Eliot had intuitively sensed a deeper order in nature than was conventionally seen and portrayed this in his images. Eliot’s background and continuing interest in the sciences informed his art.

Eliot described his book The Place No One Knew, a portrait of Glen Canyon before it was flooded by a dam, as a eulogy because it was released after the floodwaters began rising and affected public opinion too late to stop the destruction of the canyon’s destruction. Hearing about both the successes and failures of advocacy through the arts, I decided that while I wanted to make my own contributions in this area, there were plenty of other artists contributing in similar ways and new ways were also needed. He knew this when he threw down the gauntlet one day and said to me, “You know, it’s going to be your generation that decides whether we will hand down a habitable environment to future generations.”

Even more influential to me than his photographs was the man. In his 70’s and 80’s, Eliot was physically fit (walking 5 miles a day), adventurous (traveling to remote locations like Iceland and Antarctica), mentally sharp as a tack (loving intelligent respectful debates with anyone of any age or background and often playing the devil’s advocate just to see where the conversation and the other person would go), and actively socially conscientious (continuing his long-standing participation in organizations like the Sierra Club. He was a shining example in so many ways.

Find out more about my influences here.