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Green Action – Limit Your Use of Antibacterial Soaps


Be more green!
You can make a difference today!
Make many small changes to make one big change!
And you’ll save a lot!
Take action now!
Here’s one idea.
Try Limiting Your Use of Antibacterial Soaps    
 We are heading in the holiday season which comes “hand in hand” with the cold and flu season.  We have all been told to sneeze into our sleeves and wash our hands often to keep the germs at bay.  There is a whole industry built on keeping people safe and germ free. Consumers in the United States spend almost $1 billion per year on “antibacterial” soaps and other products, often believing these products will protect their families from harmful germs and illnesses. So one would think, with all these special wipes and soaps we should be protected.  Recently, new research has some scientists concerned that we might be harming ourselves as well as endangering our environment by using these antibacterial soaps.
Let’s look at the facts.  Most of us use these products to prevent cold and flu viruses.  When actually these antibacterial products kill bacteria, not viruses. These soaps are made up of two major antimicrobial’s, Triclosan, and Triclocarban.  These antibiotics soaps and wipes were originally created in the 1960’s for use before surgical procedures.  They were commercialized in the 1980’s, and by 2001 over 76 percent of liquid hand soaps contained these chemicals.  Most scientific research has proven that the over-use of these chemicals can reduce the overall effectiveness of antibiotics.  The more we use these chemicals the more resistant they become to bacteria, the more difficult it becomes for us to fight off disease.
When we wash our hand these chemicals are absorbed into our skin and contaminate our blood and urine.  One study found that 97 percent of all US women showed levels of triclosan in their breast milk.   According to data from the Centers for Disease Control and Prevention (CDC), levels of triclosan in humans have increased by an average of 50 percent since 2004. Initial studies found that human blood levels of triclocarban spiked after using soaps containing the chemical.
The effect of these chemicals does not end after we wash our hands. Most of these product are washed down the drain thru urine or waste water during washing.   Triclosan is one of the most frequently detected chemicals in streams across the U.S. It has even been found in the bodies of wild bottlenose dolphins. Both triclosan and triclocarbon are found at high concentrations in treated sewage sludge (also known as biosolids) that is often applied to agricultural fields as fertilizer. Because triclosan has been shown to accumulate in earthworms living in these fields, there are concerns about these chemicals also moving into plants and wildlife. In 2002, the USGS published a landmark study showed 80 percent of 139 streams sampled from across 30 U.S. states were found to contain measurable levels of organic wastewater contaminants. Triclosan has also been found to inhibit photo-synthesis in diatom algae.  These algae are responsible for a large part of the photosynthesis on Earth.
While we know very little about the other long term effects of these chemicals that we are using, what we do know is that these chemicals may not help us or our environment stay healthier.
There are alternatives, many are organic and far less harmful to us and our environment.
What can we do to limit our use of these chemicals?
1) Wash your hands carefully and more frequently with natural soaps.
2) Use organic products that contain olive oil, honey, and candula oil.
3) Stay away from products that contain harsh ingredients ie: chlorine, ammonia or glycol ether.
In general, be careful of not only what you put on/in your body but also of what you wash down the drain or put in landfills.
Find more resources that will help you take action now here.
Find environmental organizations to support here.

Compare & Contrast Contemplative & Active Modes

Antarctica LIV, Plenneau Bay 2007

In 2007 I visited Plenneau Bay, Antarctica, which lies just past the famous La Mer Channel. This was the only Zodiac cruise where all the workshop leaders (Michael Reichmann, Jeff Schewe, Stephen Johnson, Bill Atkinson, Ian Lyons, Seth Resnick and I) rode together while Chris Sanderson recorded the event on video for Luminous Landscape. Locked out of this area by ice in 2005, we were delighted to have access to the area many people call ‘The Iceberg Graveyard” because the shallow bay frequently traps ice.
We found a floating sculpture garden made of ice in a stunning array of forms. We found frozen sea creatures, both real and mythical. We found Viking ships and space ships. We found pyramids and grottos. One iceberg impressed us above all the others. We first approached it from one side hoping to glide across the pool of water in its center and through an arch on the far side, but we discovered the arch was too shallow to pass through. Double backing, we then approached it from the opposite side. We gasped collectively when we saw what another angle had to offer. The ice had been sculpted in what appeared to be a Grecco-Roman façade complete with a central arch and accompanying rhythmically repeating columns. To this day we still have a hard time believing that this was a naturally occurring form and not man-made. This was one of those unforgettable moments that changes the way you see and think about the world as you become aware of possibilities you hadn’t previously dreamed of.
Despite the rich subject matter, it was challenging photographically, as we had hours in an area we could have spent days and consequently moved through it rapidly, which forced us to work like action photographers. At one point in our magical voyage, I teased Michael that he was encouraging very bad habits – shoot first, ask questions later. But I made the best of it knowing that I would never see this again and while I was doing so I realized that this push outside of my contemplative comfort zone would encourage me to acquire skills that would prove useful in other situations. They have been useful in many other unforgettable moments.
Which mode are you most comfortable in?
How can switching between contemplative to active modes help you?
Find out more related images here.
Read more The Stories Behind The Images here.
Learn more about Antarctica here.
Discover my Antarctica workshops here.

Converting Images to Black and White in Lightroom 4 – Julianne Kost


“In this episode of The Complete Picture Julieanne demonstrates the best way to convert images to Black and White in Lightroom as well as how to save presets to increase your productivity.  Click here to download the presets discussed in the video. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.”
Read more with my B&W ebooks.
View more in my DVD B&W Mastery.
Learn more in my B&W Digital Printing workshop.

Science Is For Everyone, Kids Too – Beau Loto + Amy O’Toole


“What do science and play have in common? Neuroscientist Beau Lotto thinks all people (kids included) should participate in science and, through the process of discovery, change perceptions. He’s seconded by 12-year-old Amy O’Toole, who, along with 25 of her classmates, published the first peer-reviewed article by schoolchildren, about the Blackawton bees project. It starts: “Once upon a time … ”
While you’re watching the video you may have an uncanny feeling that science and art aren’t as different as you were once led to believe.
Watch more creativity videos here.

PDN PhotoPlus Conference + Expo


“The PDN PhotoPlus Conference + Expo is the largest photography and imaging show in North America, attended by over 24,000 professional photographers and enthusiasts. This year the show will be held Oct. 24-27 at the Javits Center in New York City. Don’t miss your chance to explore over 250 exhibits, see thousands of new products, attend conference seminars, keynote presentations, special events & much more. Register by October 24th for a FREE 3-day expo pass.”
My seminars at PhotoPlus include …
Thu, Oct 25, 2012 – 8:45 AM to 11:45 AM
Fine-Art Digital Printing
Fri, Oct 26, 2012 – 8:45 AM to 11:45 AM
Black & White Mastery
Sat, Oct 27, 2012 – 4:00 PM to 6:00 PM
Game Changers – 12 New Things Every 21st Century Photographer Needs To Know
Find out more about PhotoPlus here,

Beyond ETTR & HDR Tonemapping – 32 Bit In Lightroom

Image by Ragnar th Sigurdsson.

To one degree or another, we’ve all been underexposing our digital photographs, even if we’ve been exposing to the right (ETTR). Imagine a day when every ƒ-stop had as much data as the lightest ƒ-stop. It’s here now. Here’s how.

Make a series of bracketed exposures where each ƒ-stop in a scene is placed in the far right of the histogram or recorded with half the data in a single digital file. Combine all the exposures into a single 32-bit file using either the Merge To HDR Pro feature in Adobe Bridge/Photoshop or Lightroom. Save or import this 32-bit file into Lightroom (4 or higher) and apply adjustments with its Develop module to avoid many common tone-mapping artifacts.

You may be surprised to find that you’ll benefit from using this technique even for images with significantly more restrained dynamic ranges.

Read more on Digital Photo Pro.
Learn more in my digital photography and digital printing workshops.

Images That Sizzle & Fizzle Versus Sleepers That Are Keepers

Keeper

The strongest images combine immediate impact and staying power.

 

Sizzles & Fizzles

Color immediately grabs attention, yet other aspects of this image could be stronger and clearer, making its impact less durable than others.

Sleeper

Easily overlooked initially, the appeal of this image grows when it reinforces themes in related images.

 

It happens to me all the time. I’m excited by what I see on location and hopeful about the images I’m making. Afterward, the final results aren’t as exciting as I had hoped. I rarely leave a location with confidence that I have truly excellent images. I can phone in competent and even good most of the time, but getting to great is another matter.

It’s essential to know the difference between good and great. I measure my current successes against my past successes – I’m always trying to raise the bar. If the images you’re making aren’t making the cut for you, I’d take that as a sign that you’re being more discriminating, and based on that, I would bet that means you’ve got more good images in your portfolio and are well on your way to making even better ones. The world doesn’t need more mediocre images, but it does need more discerning eyes.

While this syndrome of “sizzling and then fizzling” is common. The opposite dynamic is often at work, too. You’ll make images that don’t catch your attention immediately, but you find yourself doing a double or triple take, and your appreciation of these images grows with each viewing. These “sleepers” are very interesting; they tend to be smarter and/or more deeply felt. Because they don’t grab your attention quickly, passing these types of images by is easy. That’s one of the reasons it’s important to look back through your images again after some time to find what you missed. Developing bodies of work will offer you additional useful perspectives.

Sometimes, when you present a sizzler together with a sleeper, they make each other more interesting. The attention-getter does just that – it gets attention. It draws viewers in and sets the stage for seeing related work that might not be as eye-catching but has more substance and depth. Similarly, if it’s related to the attention-getter, in some way beyond proximity, the strong silent type can reveal hidden depths within its flashier counterpart and even transfer some of its depth. Both can “rub off” on each other in a beneficial way. Their relationship can be mutualistic.

When you find the rare few images that achieve immediate high impact and extended durability, you’ve got real “keepers.” These are the images that should be celebrated most. These images set the course for many others. All the other images that come close but fall short, which are collected with the great images, should in some way support, amplify, and expand that greatness. Keep these fires burning and fan the flames. Carry this vital energy forward. Keep this energy flowing with new moves. Find out how long you can stay in the zone and when you fall out of it what it takes to return to it. See where it will lead you and how far you can run with it. Work of this quality often gets beyond you, which doesn’t mean you can’t sustain it or return to it, but instead means you probably won’t fully understand it until long after you’ve done it. Work like this expands you. It raises your bar and calls you to new heights. Answer these calls.

 

Read more in my Storytelling resources.

Learn more in my creativity and digital photography workshops.

The Graduated Filter and Adjustment Brush In Lightroom 4 – Julianne Kost


Julianne Kost demonstrates the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.
View more Lightroom videos here.
Learn more from Julianne Kost on her blog.
Learn more in my digital photography and digital printing workshops.