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Exploring Motion – Andrew Nixon

Alumni, Workshop  Comment
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In my Maine Islands digital photography workshop, Andrew Nixon explored creating a dynamic tension between the still and the moving. He typically uses long exposures of moving subjects. But he tried a few new twists on his standard practices, like moving the camera. While he explored other ideas and tried many new things, he always returned to the same theme which gave his images a distinctive quality that stood out from his peers.
What themes make your images distinctive?
What experiments will help you explore and develop this further?
Find out more about Andrew Nixon here.
Read more in my creativity lessons.
Find out more about my Maine Islands digital photography workshop here.
Learn more in my digital photography workshops.

Capture Sharpening

Magazine - Digital Photo Pro, Software - Photoshop, Technique - Sharpening  Comment
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Optimal image sharpening is best done in three stages— capture (do it during RAW conversion), creative (do it in Photoshop) and output (automate it).
Capture sharpening benefits all images. It compensates for inherent deficiencies in optical and capture systems. All lenses and sensors have specific characteristics and deficiencies. They don't all have the same characteristics or deficiencies.
To speed your workflow, default settings for a best starting point for capture sharpening can be determined for all images created with the same lens/chip combination and saved for subsequent use. To optimally sharpen an image, you'll need to modify these settings to factor in additional considerations—variances in noise (ISO, exposure duration, temperature), noise-reduction settings and the frequencies of detail (low/smooth to high/fine texture) in an image.


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Photoshop Exchange

Software, Software - Photoshop  Comment
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“Where do you go to access over 10,000 unique Photoshop presets, templates, tutorials, plug-ins and more? Visit Photoshop Exchange, the Adobe hosted website for customers who want to discover and share Photoshop content with each other. They recently crossed the 10,000th item milestone, adding 600 new submissions since January. The majority of the content is free, and those few paid pieces of content average about $4.
If you’re looking for inspiration, or just want to try out some new styles, effects or practically anything else that can be customized in Photoshop, you will find Actions (51% of Exchange’s content), followed by Styles (15%) and Brushes (10%), as well as shapes, tutorials and patterns, and many elaborate and useful Templates (.PSD files, ranging from Web components and complete site designs, brochures, flyers, 3D presentation graphics, print ads and the like), which can save you time and even help you explore how advanced users build complex and beautiful files.”

Visit Photoshop Exchange here.

Publish Your Photography Book – Himes & Swanson

Books  Comment
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Darius Himes and Mary Virginia Swanson’s book Publish Your Photography Book offers clear cogent advice that will help anyone interested in navigating the waters of book publishing. This is true whether your goal is to work with a major publisher or to self-publish or both.
The book covers everything you need to know; concept and mission, financing and contract negotiation, editing and sequencing, design and production, marketing and more.
The countless case studies in this book give it a flair unlike any other. David Maisel, Daniel Milnor, Alec Soth, and Alex Webb are just a few.
The voices of experts in the industry give this volume a broad diversity you’re unlikely to find anywhere else. Eileen Gittens (Blurb), Michelle Dunn Marsh (Aperture/Chronicle), Rixon Reed (PhotoEye) are just a few.
I can’t think of a better duo than Himes and Swanson to help you understand the world of book publishing.
I can’t recommend this book more highly.
Find Publish Your Photography Book here.
Visit Darius Himes’ website here.
Visit Mary Virginia Swanson’s website here.
Find more bookmaking resources here.