Julieanne breaks down the differences and points out the advantages of using virtual copies and snapshots in Lightroom 3. Since both features were designed for specific tasks, discovering what they do best will allow you to take advantage of each of their strengths.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.
Here are a few of the keepers participants made during last weekend’s Santa Fe 2010 workshop. We had great locations – Tent Rocks, Red Rocks, Ghost Ranch, Echo Amphitheater, White Place, Taos Gorge, and Great Sand Dunes National Monument. Sunrise and sunset locations were complemented by midday reviews. We’ll do it again in 2011!
“Now 20 years old, Adobe® Photoshop® software has changed image editing forever. Can you imagine a world without Photoshop? In these twelve chapters you can see for yourself what some of the best digital artists work looks like without the software. Then with the touch of your finger The World Without Photoshop is transformed and you can see and hear the imaginations of these artists come to life in their work. Pinch and zoom into over 48 works by artists, illustrators, designers, and photographers and get their insights into how twenty years of Photoshop innovation have changed their world. Look for the free download soon in iTunes store.”
Featured artist’s include Peter Barrett, Adhemas Batista, Russel Preston Brown, John Paul Caponigro, Koen Demuynk, Olli-Pekka Jauhainen, Laura Kicey, Julianne Kost, Bert Monroy, Olivia Parker, Gorgon Studer, Maggie Taylor, Jerry Uelsmann.
Get the free App here.
Julieanne Kost explains how changes made to photographs are saved automatically to the Lightroom Catalog, how to use both the “Save Metadata to Files” command, as well as the “Automatically write changes to XMP” Catalog Setting to push changes made to photographs from the catalog into individual files (or sidecar files) so that they can be read and utilized within additional applications such as Adobe Bridge.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.
Historian and diplomat Joseph Nye gives us the 30,000-foot view of the shifts in power between China and the US, and the global implications as economic, political and “soft” power shifts and moves around the globe.
Find more of my favorite TED videos here.
Adobe Evangelist Julieanne Kost answers one of the most commonly asked questions “If should you use a single catalog for all of your photographs or if you should you use multiple catalogs?”. As a general rule, she recommends that you use as few as possible, but discusses when using multiple could be beneficial.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.
Adobe Evangelist Julianne Kost demonstrates the advantages of working with and archiving to the DNG raw file format over proprietary raw file formats as well as choosing which tool to use to convert your files as you move through your workflow.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.
Mac Holbert and I concentrate on Fine Art Workflow in our Epson sponsored seminar today (10 am – 4 pm) in Minneapolis for ASMP.
Minneapolis Photo Center 2400 North Second Street
$10 – ASMP Members / $20 – Non Members
Free giveaways include Adobe CS5, NIK HDR Efex Pro, Pixel Genius Photo Kit Sharpener Pro, OnOne Plug In Suite, X-Rite Color Passport, and more.
Find out more about the event here.
View our DVD content here.
Read more in my digital printing lessons.
Learn more in my digital printing workshops.
Determine depth of field after exposure? It’s coming!
In the 1930s, a small group of California photographers challenged the painterly, soft-focus Pictorialist style of the day. They argued that photography could only advance as an art if its practitioners exploited characteristics inherent to the camera’s mechanical nature. This small association of innovators created Group f/64, named after the camera aperture which produces great depth of field and sharp focus. The exhibition revisits this debate and includes images by photographers in Group f/64 such as Ansel Adams, Edward Weston, Imogen Cunningham, Sonya Noskowiak, and Willard Van Dyke, as well as images by such Pictorialists such as Anne Brigman, William Dassonville, Johan Hagemeyer, William Mortensen, and Karl Struss. With 90 works by 16 artists, Debating Modern Photography offers a feast for the eyes while illustrating both sides of a high-stakes debate. Outstanding examples of the clean edges and bold forms of Group f/64 stand in sharp contrast to the romantic, hand-crafted Pictorialist work that includes elegant portraits, tonalist landscapes, and allegorical studies.
The exhibit is open (Mon-Fri 9-7) through Dec 5.
Learn more at Maine’s Portland Museum of Art.
