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World Without Photoshop App



“Now 20 years old, Adobe® Photoshop® software has changed image editing forever. Can you imagine a world without Photoshop? In these twelve chapters you can see for yourself what some of the best digital artists work looks like without the software. Then with the touch of your finger The World Without Photoshop is transformed and you can see and hear the imaginations of these artists come to life in their work. Pinch and zoom into over 48 works by artists, illustrators, designers, and photographers and get their insights into how twenty years of Photoshop innovation have changed their world. Look for the free download soon in iTunes store.”
Featured artist’s include Peter Barrett, Adhemas Batista, Russel Preston Brown, John Paul Caponigro, Koen Demuynk, Olli-Pekka Jauhainen, Laura Kicey, Julianne Kost, Bert Monroy, Olivia Parker, Gorgon Studer, Maggie Taylor, Jerry Uelsmann.
Get the free App here.

Single or Multiple Catalogs in Lightroom ?


Adobe Evangelist Julieanne Kost answers one of the most commonly asked questions “If should you use a single catalog for all of your photographs or if you should you use multiple catalogs?”. As a general rule, she recommends that you use as few as possible, but discusses when using multiple could be beneficial.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.

Minneapolis ASMP Seminar – Fine Art of Digital Printing


Mac Holbert and I concentrate on Fine Art Workflow in our Epson sponsored seminar today (10 am – 4 pm) in Minneapolis for ASMP.
Minneapolis Photo Center 2400 North Second Street
$10 – ASMP Members / $20 – Non Members
Free giveaways include Adobe CS5, NIK HDR Efex Pro, Pixel Genius Photo Kit Sharpener Pro, OnOne Plug In Suite, X-Rite Color Passport, and more.
Find out more about the event here.
View our DVD content here.
Read more in my digital printing lessons.
Learn more in my digital printing workshops.

Debating Modern Photography – Triumph of Group f/64



In the 1930s, a small group of California photographers challenged the painterly, soft-focus Pictorialist style of the day. They argued that photography could only advance as an art if its practitioners exploited characteristics inherent to the camera’s mechanical nature. This small association of innovators created Group f/64, named after the camera aperture which produces great depth of field and sharp focus. The exhibition revisits this debate and includes images by photographers in Group f/64 such as Ansel Adams, Edward Weston, Imogen Cunningham, Sonya Noskowiak, and Willard Van Dyke, as well as images by such Pictorialists such as Anne Brigman, William Dassonville, Johan Hagemeyer, William Mortensen, and Karl Struss. With 90 works by 16 artists, Debating Modern Photography offers a feast for the eyes while illustrating both sides of a high-stakes debate. Outstanding examples of the clean edges and bold forms of Group f/64 stand in sharp contrast to the romantic, hand-crafted Pictorialist work that includes ­elegant portraits, tonalist landscapes, and allegorical studies.
The exhibit is open (Mon-Fri 9-7) through Dec 5.
Learn more at Maine’s Portland Museum of Art.

Photographing Maine – Ten Years Later


In 2000, CMCA mounted the most comprehensive exhibition of Maine photography ever: Photographing Maine: 1840-2000. The project was presented in two parts: photography from 1950-2000 in August and September and earlier historical work from the 1840s to 1950 in mid-October to mid-December.
During the past decade, the activity among Maine photographers has grown exponentially. In this digital age there are more and more people seriously committed to fine art photography using both new and traditional darkroom techniques. The goal of the invitational exhibition Photographing Maine: Ten Years Later is to pay homage to the two exhibitions in 2000 by showing a sampling of works by 150 Maine photographers created between 2000 and 2009. Each photographer is exhibiting a single work in the invitational exhibition. In addition, four images from each of the 150 photographers are part of an online exhibition (see below), which is also available to view on computer at the exhibition.
The exhibit in Rockport, Maine runs from October 02 – December 05, 2010.