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Inoculations for Travel

Workshop - Travel Tips  Comment
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For all the international travel I do, I haven’t had to get shots yet – until today. I had to get shots for my upcoming trip to Africa. Are you planning a trip? You can ask your primary physician for this information. Or, you can check the Center for Disease Control and Prevention’s online resources. They’re extensive. CDCP online has great resources to inform you about all the health considerations you should be informed about before travelling.
Find out what kinds of health preparations you should consider before traveling here.
Going to Namibia? Here’s what you should look into.

Joshua Tree National Park

Workshop  Comment
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At the Palm Spring Photo Festival I took my workshop out for two very long days on location at the Salton Sea and Joshua Tree National Park. Joshua Tree National Park is magical. The park is named after the unusual trees found in abundance there; they’re actually lilies. Imagine them blooming; they do that soon. The rock formations are organically suggestive. It’s a landscape that looks like it was drawn by Dr Seuss.
There are a number of great locations to photograph in the park. Here’s a ranking of many of the locations to photograph there (moving north to south). (Ranks are on a scale of 1 to 10, with 10 being best.)
4    Quail Springs
9    Hidden Valley
6    Keyes Point
6    Cap Rock
4    Ryan Ranch
7    Jumbo Rocks
8    Skull Rock
5    Live Oak
5    Split Rock
4    Belle
8    White Tank
Find out more about Joshua Tree National Park here.
Get the map here.
Find out more about my field workshops here. Read More

Walk & Talk with Chris Orwig

Audio  Comment
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At the Palm Springs Photo Festival, Chris Orwig took a walk with me and we talked about a life in the arts. He’s been asking many other artists the same questions.
What inspires you?
What makes a photograph good?
What character qualities should the photographer nuture and develop?
Advice for the aspiring photographer?
Seriously consider answering the questions yourself.
Answering questions like this can energize and focus your creative life.
You can listen to my responses on his blog here.
Check out Chris’ work here.
Check out my workshop Illuminating Creativity.

D-65 – Workflow Solutions

Workshop  Comment
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Seth Resnick and Jamie Spritzer offer phenomenal workflow workshops – D-65. Seth and Jamie’s wisdom is apparent from the start. It’s not a my way or the high way approach. They realize workflow is dynamic and needs to be modified for the needs of the situation and individual. So they teach principles and strategies that are universal before delving into specifics. Offering a workflow they feel is ideal, they encourage you to adapt their recommendations for your specific needs, with a thorough understanding of why you do what you do and what the repercussions are. The big concepts are as or more important than the details. Efficient and consistent workflow practices increase both productivity and quality. I can’t imagine anyone, no matter what their level, not improving their workflow after taking a D65 workshop.
I’ve been saying for years that my fine art workflow is not the workflow that I should use on the weekends when my client is my mother. Mom wants lots of reasonably good JPEGs of my son, yesterday, not one perfect 2 gig file next year. I need my fine art workflow on weekdays. I need Seth’s workflow on weekends. I need different workflows for different situations. We all do.
I really need to know more about keywords and hierarchies – soon. Keywording isn’t just about my finding my images efficiently. It’s also about other people finding my images efficiently. Seth is THE master of metadata. He’s not only a great photographer, he’s a contemporary linguist. He knows all the keywords and keywording strategies that make his images incredibly accessible to anyone. I often present a slideshow of my work in Antarctica and in it I show work by the other photographers I cotaught with, including Seth. A few of his images are on my computer. When I search for Antarctica on my computer his images come up at the top of any search. When I hover over his files in Bridge I see the descriptive paragraphs he’s added to his files. Now I use his images to research my trip. Amazing.
I wish I could stay for more than one day of Seth Resnick and Jamie Spritzer’s D-65 workflow workshop this week. I love hanging out with Seth and Jamie because they’re so much fun. I need D-65 professionally too. So, my wife and I are going to attend D-65’s upcoming sessions in Miami: 2-Day Advanced Lightroom (5/29/09- 5/30/09); 1-Day Web Workshop (5/31/09); 1-Day Business Workshop (6/1/09).
Check out D-65 here.
Check out their book The Photoshop Lightroom Workbook here.

Blurb Seminar

Books  Comment
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Blurb put on a great seminar on new bookmaking possibilities at the Palm Springs Photo Festival.
Blurb makes possible small run, limited edition books, a majority of which wouldn’t be published in the mainstream publishing world. In comparison to high end traditional offset printing Blurb’s final product is a limited run, lo-fi approach. The cost per item is greater than traditional offset printing, but you can produce as few books as you like. You assume the financial risk, not the publisher, but you can limit or even eliminate your risk. There are only six sizes (harcover or softcover, with three different binding process. You have a limited choice of paper stocks – standard and premium. The color management is good but not excellent.
Blurb books look similar to traditional books, but they’re different. Really different. How? Create your own online private or public bookstore. Quickly and easily design your own book yourself with Blurb’s online software. (Some have done it in as few as 20 minutes.) Blurb will then produce as many or as few copies as you like and send them where you want them within a week. You can make them available for purchase by others. Blurb can fulfill orders for you. And if you make a profit, they’ll send you a check. You can update your book at any time; within hours or for the second copy ordered. And last, but certainly not least, everything in the text in your Blurb book is searchable; a Google search will find text in the captions for images! That’s amazing!
Blurb is a powerful new addition to the creation of book. They printed over 400,000 titles in 2008. This is a huge paradigm shift for the way we make books and share our work with others.
Check out Blurb here.
Check out my Blurb book Antarctica here (and stay tuned for the updated version coming soon).

Photoshelter Survey on Websites

Business  Comment
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At the Palm Spring Photo Festival, Grover Sanschagrin (Founder, Vice President) of Photoshelter shared great statistics from a recent survey they conducted  on website usage. They polled over 550+ photo buyers discussing what they liked/disliked in photographer websites. The focus is heavily oriented to stock photography. While everyone will use the information in different ways, it’s useful for everyone with a website.
71% will leave after 15 seconds
87% want an immediate price
67% like images larger than 700 pixels
40% look at 4-6 galleries , while 21% look at more than 7
77% don’t watch slideshows
98% objected to watermarks (wouldn’t buy those images)(though transparent
Three golden rules for websites?
Make it easy to use.
Make it simple.
Make it memorable.
Check out the survey here.

Content Aware Scale

Software - Photoshop  Comment
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I’ve been out in the field for two long days during my workshop at the Palm Springs Photo Festival. One of the techniques we practiced is exploring how using Photoshop’s Transform and Content-Aware Scale can change the way you make exposures – opening up possibilities for both strengthening classic compositions and also for making new compositions you might otherwise pass by – or not see.
The classic Photoshop Transform tools have been long overlooked and underutilized. Now, in Photoshop CS4, we’ve got a new way to Transform our images – Content-Aware Scale. This will scale specific areas of an image more than others. Many photographers scale an image to resize it. Sometimes portrait photographers squeeze images 10% horizontally to make people look thinner. But how many photographers use these tools to create more compelling proportions in their images? How many use them as a tool to strengthen or weaken relationships in their images by making areas of an image closer to or further away from one another. Few. These are new tools. They’re not hard to master technically. Activate the tool of your choice and then push or pull. Simple. (Favor squeezing instead of expanding to avoid upsampling artifacts.) This may be challenging for some to feel comfortable with as an accepted practice. We accept the distortions of lenses. Why is this type of post-processing any less acceptable? This is challenging to master perceptually. Incorporating these new tools into your ways of seeing takes practice. Once you do master them, you’ll find you’ll make new types of exposures with these possibilities in mind. You’ll learn one more way of seeing your subjects. New possibilities bring new ways of seeing. To master them you’ve got to use them – a lot. It takes practice. Try it. And keep using it. This technique can make an amazing difference in many images.
Learn these and other techniques in my upcoming Workshops.
Find out more in my downloads.

James Balog – Extreme Ice Survey

Photographers  Comment
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Jim Balog has been doing an absolutely fascinating photographic project. He and a team of glaciologists have put cameras around the world and set them to take exposures every hour. The changes they’ve tracked have been astonishing – even to the most learned scientists! You’ve never seen anything like this. Few people have. Until now. This project is important photographically – it’s extended the way photographers work and think about developing projects. The focus on movement/change represented by still photographs, many presented as time lapse series moves us ever closer to blurring the lines between still and video. It’s a project of historic proportions in so many ways.
This project presents important evidence in the quest to understand climate change. Here’s the bottom line. “Over 100 million people live within three feet of sea level—the very amount that experts expect seas to rise by 2100. Cities will spend trillions on coastal defenses, low-lying regions such as Florida and Bangladesh will be devastated, and many island nations will cease to exist. Overall, the consequences will test our ability to adapt like never before.” The debate is not whether climate change is happening. 90% of scientists agree it is. The real debates are how much, how fast, how much is geophysical, how much man contributes, what we can do about it, and are we prepared to react to it.
Watch Extreme Ice here.
Learn more about James Balog here.
Balog ends the series in a place that has captivated me – Iceland.
Check out my Iceland workshop here.
See my work in Antarctica. Images. Text. Book.