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Orne Harbor, Errera Channel, Danko Island, Neumayer Channel, Port Lockroy

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5 am and Michael Reichmann comes on the PA, “There’s gorgeous light -again.” We’ve all had 2 hours sleep. 4 the night before. Who knows how many the two nights before that. We’re running on adrenaline – so we do it. Seth Resnick shows up on deck and asks to trade lenses, “I can’t believe I’m asking you for your 28 mm. I’m a 300 mm man.” We’ve been influence each other every trip. I love photographing with this guy. It’s not just his contagious enthusiasm. It’s not just that he likes to push the envelope and I like to come along for the ride. It’s that he sees so differently. The other day, he got an awesome shot, accomplishing one of the things I’ve been trying to do better, by putting his 14 mm lens and inch from the water, getting the long stretch of blue iceberg running down deep into the water reflection free, with a little iceberg on top. That move may have cost me a new lens. We both find each other versatile and innovative. Note to self. Photograph more with stimulating photographers.

Later, at our pre-breakfast hike, many of us decide to catch up on a little sleep, including me – until I saw ice stranded on the shoreline. It was a tiny detail others overlooked. Everyone else went to the top of the mountain for that one great shot. Not me, I’m went to a place where there might be dozens or more. Our expedition leader likes to take us to high vista points where we can survey the fabulous landscape. We keep asking for more zodiac cruises. He doesn’t realize it’s more than an obsession with ice; it’s a photographic issue. You know those pull outs in National Parks – “scenic view”? Ever notice there’s only one image you can make there? Everyone makes it. The only way you can really work it and come up with something different
is with a telephoto, extracting small details. Instead of looking down, you can put yourself in situations where you can move through the landscape and interact with it more. Then it’s much easier to come away with something different. Edward Weston swore off landscapes, for a while, feeling they didn’t allow the artist enough artistic freedom and turned to still life instead. Later her returned to landscape, but with a fresh eye from his leave of absence.
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Useful Island & Neko Harbor

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Zodiac’s in big swell first thing in the morning. Seth Resnick and I are bouncing all over the place. We’re shooting fast and praying, laughing all the way. I keep coming back around one set of icebergs. After three times, others want to move on. I get back and look at the images and realize, the third time was the charm. I basically worked the first shot I tried over and over again until I finally got it. That’s an approach many pros use. I remember one of my assistants also assisted Jay Maisel on a commercial shoot. He came back amazed that Jay shot the same shot again and again and again. Jay got the shot. He always does. It’s one of the reasons he also gets the big bucks.

Neko Harbor was different the third time. The first time (2005) was filled with high winds. The second time (2007) was crystal clear turning to cloudy sunset. The third time (2009) brought snow. We hiked to the top of an overlook that surveyed the glacier. Later we went zodiac cruising in the ice choked harbor. We had one big castleated tabular iceberg which was truly impressive, then I found myself unenthused by the rest of the ride – but I kept working. At the end of a long day, when I looked over the images after midnight I unexpectedly found a couple of keepers. I kept trying despite lack of sleep and lack of enthusiasm and scored. Woody Allen said, “90% of success is just showing up.” Try it and you might surprise yourself.
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Fish Island, Grandidier Channel, Petermann Island, La Mer Channel

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Pre-breakfast cruise at Fish Island through thick brash ice to two fantastic iceberg arches topped off with a close encounter with a leopard seal that slapped our zodiac with its flipper and followed us all the way back to the boat. You’ve got to shoot fast to get these shots. Sometimes you miss them, but if you get hung up on the last one you missed you miss the next one. Move on.

Post-breakfast cruise through the Grandidier Channel. All sorts of states of water; calm and with swell; clear, ice-spotted, and ice-choked. I became fascinated with the wake of the boat and sinuous like it cut behind us. Slow, dreamlike shooting as the world drifts by subtly changing by the minute. You need to look and look again; shoot and return; shoot and return.
Post-tea cruise to Petermann Island (a premiere penguin colony) with departure detour to nearby icebergs on the open ocean side. Floating through canyons of ice with heavy swell and some crashing surf. Fast and furious shooting. One shot only. Tossing boat. Shoot first. Ask questions later.
Post-dinner cruise through the La Mer Channel, considered a jewel of the Penninsula, second only to the Gullet. Weather moved in fast, we reacted, moving into the channel early. Fog enshrouded the high peaks creating a moody atmosphere. We glided up the deep fiord watching it all unfold high above us. At the end, whales. The next best thing to evening light is atmosphere. Expect the unexpected. Make the most of what you’ve got.
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Crystal Bay & The Gullet

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This is quite possibly the most beautiful place I have ever been. While the captain of the ship had been here before, none of our guides had – our expedition leader Brandon has been on 80 voyages. Very few people get to see this part of the planet. There was no one else here with us. The place feels as pristine as it is white. We sailed slowly through miles and miles of sea ice and icebergs in a glassy smooth ford-like channel with 500 meter high cliffs that gave off small avalanches and tall peaks where tiny clouds accumulated in an otherwise completely blue sky. The channel was so tight and choked with sea ice there were times we couldn’t imagine where we’d go next or see where we came from. An endlessly changing composition of light and form on a scale of symphonic grandeur unfolded before us continuously for hours on end. Everyone needed to take a break, though we hated to, at some point or another. Not one of us could fully believe what we were seeing. It will take some time for this to sink in for all of us. Even then, I imagine we’ll need to revisit our photographs to confirm that it wasn’t just a dream.

How did I deal with a complex fast moving subject? Two cameras (no time tochange lenses) with two lenses of different focal lengths (one wide angle, one telephoto). The exercise of switching ways of looking from the big picture to the details, from near to far, and back again, and back again, and back again was excellent. You truly learn to see in different ways, internalizing the knowledge, not just understanding it intellectually.
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Stonnington Island

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Sunshine! After days and days of gray with next to no visibility and rain, the sky broke open. Cold katabatic winds churned the seas. We visited the abandoned base of Stonnington Island, gazed on the glacier behind it, and cruised the iceberg strewn harbor in zodiacs. One small iceberg exploded a mere few paces from us, disintegrating in a scant few seconds. The evening color was exquisite. White is such a changeable color. Lavender and gold, warm blue shadows, cool blue ice, naples yellow distant mountains turning pumpkin next to robin’s egg blue-green sky. Few people would believe the colors tonight were real. We could hardly believe that the color never truly faded. Sunset started after 10 pm, most of us slept after 2 am, but a few never did, photographing all “night” long and through the golden dawn.

A white balance target was of little use in these hours. The most important pieces of equipment, after a cameras and lenses, were waterproof camera bags. They were essential for protecting equipment while making the quick moves between locations and return to the boat, where sea spray doused us.
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La Mer Channel

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Bearing the weather in mind we headed south fast last night and got to the La Mer Channel late in the morning. On the past two trips we took several days making multiple stops along the way. But this time the weather is so poor (rain and sleet) that we can hardly see the nearby islands and mountains. Weather is constantly changing, everywhere, but particularly here. In December 2005 we sailed through and extraordinary sunset with glassy smooth waters. In February 2007 we sailed through overcast and wind,
weaving through substantial icebergs. In January 2009 we sailed through rain with relatively little ice. On the far side is Plenneau Bay (the iceberg graveyard). In 2005 we were locked out by an icesheet. In 2007 the bay was full of extraordinary icebergs. In 2009 there are just a few bergs. High wind and horizontal rain kept us from making a zodiac excursion. We hope to return and find better weather at this extraordinary location. I love photographing weather, but there’s a limit to just how much weather you can work effectively in.

Sometimes it’s best to cut your losses and move on. We decided to push south to the Antarctic Circle, traveling long distances in bad weather, with the hope that better weather is on it’s way. Getting into position for a slower return with lots of exploration. We’re out in the open ocean again with high swells. Many of the crew have never been this far south, so everyone’s excited about seeing something new.

More seminars in transit. Michael Reichmann introduced panoramic stitching. Steve Johnson followed up with more information.

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South Shetland Islands

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Take the walk.
Barrientos Island has two major points, a penguin nesting ground and a long strand with two dramatic columnar basalt outcrops. In 2005, we never took the longer walk to this surreal landscape. So a familiar place offered a dramatic surprise. It was well worth the walk. Several of our party, lost in penguins and small details, never got there. I advised that in the future they walk to the farthest point, noting interesting places to stop, only stopping if the light is perfect, and then spending more time on the return at only the most promising places. Scouting’s a critical part of making the most of your limited time.

Prepare for weather.
There was a lot less ice on Half Moon Island when compared with our 2005 voyage. No dramatic blue bergs floating in the bay. Less ice scattered on the far beaches. I quickly surveyed the three points on the island (penguin colony, long rocky strand with occasional ice, and retreating glacier. I asked our guides if we could walk the long distance to the glacier. They offered me a ride. This left me with lots of time to really explore the striated glacier and the small rivulets it produced. Dive bombing skuas kept me from crossing a ridge to the strand, so I went around the other side. Watching my time carefully I was able to see two out of three points in the island and just make the final zodiac call. I had three hours alone, no small feat amid 75 photographers. I was the last one off the island. Constant rain made photographing really challenging. Never mind physical discomfort, no matter how much you wipe your lens a few images always show raindrops. You think two or three times before changing a lens, inside your waterproof camera bag. And, my Aquatech camera rain cover saved my camera from an untimely fate. Even then, condensation formed on my lenses when I returned, but a little time on the radiator dried them right out. It’s been the most successful day so far. I only made images of two things – glacier and ice chunks on rocky beach. Two real keepers are worth far more than a hundred close misses.
Tonight I presented sessions on color and black and white (excerpts from my recent DVDs.
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Crossing the Circumpolar Current

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More Drake. Smoother and smoother sailing. This is the easiest crossing I’ve had so far. And it’s the hardest to make images during; not much is happening visually (no white caps and spray, no glittery surface, no storm fronts or crepuscular rays). Last night we crossed over the Circumpolar Current at the Antarctic Convergence (roughly 60 degrees latitude) signaling our passage into the Antarctic. The Antarctic can be defined biologically (species), geographically (shifting currents of less salty colder water), or politically (there are many claims, all on hold until 2040). Our final destination is another important dividing line, the Antarctic Circle; below it in summer the sun doesn’t set, in winter it doesn’t rise.

Find more Antarctica facts in my Statement Antarctica facts.
Steve Johnson presented on digital exposure today. Key ideas. Expose for histogram; process for appearance. Monitor your histograms to avoid clipping. Since the histogram is generated by a processed JPEG, using a low
contrast setting for JPEG generation in your camera will give you a better (but not perfect) preview of the data contained in your Raw file, which will always have more data than a JPEG. Finally, weight histograms high without clipping, the most data is contained in the lightest stop while the least data (hard to separate from sensor noise).
Jeff Schewe gave a blow by blow run down of Adobe Camera Raw. Thomas Knoll (the original author of Photoshop and Camera Raw) answered questions along the way. It’s going to be a really interesting trip!
Find out more in my Technique Downloads
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Crossing the Drake

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It takes almost two days to cross the Drake Passage (the roughest waters in the world)(we’ve been blessed with an easy crossing) to get to Antarctica. What do you do while you’re waiting to arrive? Sleep. Read. And listen to onboard lectures. Watch the ocean. Weather thick but not interesting. Light low. Wind and waves relatively small – enough to bounce us around, but not enough to perform for the lens.
The Quark team offers lectures on the area. It’s interesting to note that200 years ago Antarctica was just an idea. The explorers who discovered it in bits and pieces went through harrowing experiences to find them, largely pursuing commercial interest before scientific ones. Times change fast. Now the region is in an era of government sponsored scientific research. The first tourist cruises started in the early 60’s. Recently, there’s been an explosion of tourism in the last ten years; 1998 7,000 people; 2008 35,000 people. The staff is split; it’s too early to tell if global warming is having an impact on the area versus it won’t be here for long.
Seminars started today. Seth Resnick did a great job on asset management. His recommendation for file naming? 31 characters, no spaces, no punctuation, except . – and _. Dates in yyyymmdd – 20090111. His file name – 20070125_sobe_0001.cr2.)
Seth has many examples of how the right keywords have translated into dramatic increases in his stock photography sales. Learning more about keywords is high on my list this trip. I need them for an upcoming project. My advice? Just get started. No matter what kind of photographer you are, keywords are useful. The longer you wait, the more work you’ll have to do later. No system will ever be perfect. Things (systems and words) will evolve.
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All Aboard

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Today was all logistics. Get last minute items. Pack and load bags. Find my cabin. Get luggage stored and tied in for a bounce across the Drake Passage. Introduction to and orientation with the Quark staff. Safety issues. Now it’s two days of bounce before the action really starts. Most people find the open ocean boring. Given the right conditions, I love it. Pray for light or wind to create a drama on an seemingly infinite stage.
Enjoy my Antarctica galleries, book, and statements.
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Early registrants get discounts at home.
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