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Join Me For A Conversation With David Brommer – Tuesday, May 21 @ 6 pm EST

Join me Tuesday, May 21 @ 6pm EST on Zoom – Register here.

Photographer David Brommer (Suspect Photography) will guide what is sure to be an animated, wide-ranging, and thoughtful conversation about photography and creativity. David has a knack for asking the questions that most need to be asked.

I’ll share new work. We’ll talk about the importance of printing your images. After that, anything could happen.

It’s been ten years since our last extended conversation. Enjoy it here as a prelude of more to come.

How To Use Reference Images In Photoshop’s Generative Fill

Reference Image in new Photoshop Generative Fill.
Colin Smith shows you how to generate your own references in Photoshop using Firefly.

New Generate Image in Photoshop beta.
Colin Smith shows you how to generate images with new Generate Image using Firefly 3 in Photoshop.

Find out more from Colin Smith at Photoshop Cafe.

Learn more in my digital photography and digital printing workshops.

Enjoy The 2024 Camden Festival Of Poetry

Padriag O’Tuama
poet / peace activist


The 2024 Camden Festival Of Poetry Is Coming!

It’s free and open to the public.
Register here.

 

May 3 – Friday

Colby College Museum Of Art

3-4:30 pm      Workshop – Caponigro / Exploring The Colby College Museum Of Art With Poetry – Inquire.

May 8 – Wednesday

The Farnsworth Museum Of Art

11-12:30 pm    Workshop – Caponigro / Conversing with Unicorns: Ekphrastic Poetry – Register here.

May 11 – Saturday

The Center For Maine Contemporary Art

11-12:30 pm    Workshop – Caponigro / Tripping The Light Ekphrastic Poetry – Register here.

May 17 – Friday

Online

2-4 pm            Craft Talk – Padraig O’Tuama / You, You, You; The Address Of Poetry – Register here.

The First Congregational Church Of Camden
55 Elm Street, Camden, Maine

7-9 pm            Friday Open Mic Night

May 18 – Saturday

Downtown Camden, Maine

10-12 am        Morning Poems On Windows Walk

The First Congregational Church Of Camden
55 Elm Street, Camden, Maine

1-2:30 pm       Readings

………………Audrey Minotulu-Le
………………Sandy Weisman
………………Dave Morrison
………………Carol Bachofner
………………Arisa White
………………Jefferson Navicky

………………With music by Chris Ross and Mehuman Johnson

………………Meet Maine poets selling and signing their books.

3-4 pm            Workshops

………………John Paul Caponigro – The Art Of Poetry About Art
………………Kathleen Ellis – Thirteen Ways of Starting a Poem
………………Judy Kaber – The Poem on the Page: Understanding Line Breaks
………………Kimberly Ann Priest – Into Wildness: The Untamed Nature Poem
………………Maya Stein – Black Out Poetry
………………Arisa White – Activating Your Nouns and Verbs
.
4 pm               Keynote Padriag O’ Tuama
.
……………..Find out who will win the youth Poet Of Promise Award.

.

It’s free and open to the public!
Register here.

 

Ekphrastic Resources

Notes On Ekphrasis

Content Form Feeling

All The Words Of The Rainbow

Poems

Homer – The Iliad (Achilles Shield)

W H Auden – The Shield Of Achilles

John Keats – Ode To A Grecian Urn

Rainer Maria Rilke – Archaic Torso Of Apollo + The Story Behind The Poem

William Blake – The Tyger

Yusuf Komunyakaa – Facing It

Anne Sexton – The Starry Night

Literary Journals

The Ekphrastic Review

Rattle Ekphrastic Challenge

Responses To My Art

Rattle 

The Ekphrastic Review

My Ekphrastic Poetry

 

How To Enhance The Illusion Of Space With Atmospheric Perspective

As atmosphere builds up, contrast and detail are diminished, while colors grow cooler and less saturated.

Whites are an exception; they get darker and yellower.

Atmospheric perspective can be applied to neutral or black-and-white images using luminosity only.
In the foreground, increase contrast. In the background lighten blacks and darken whites.

Because compositionally, skies are quickly read as separate spaces, they can generally hold more saturation and still seem far away… but don’t overdo it if you want your photographs to be believable.

 

Used in Western art since the Renaissance, the principle of atmospheric perspective can be stated simply. Some colors rise forward, while others fall back. Lighter, warmer, saturated colors, with more contrast, appear closer, and darker, cooler, desaturated colors, with less contrast, appear farther away. You can use atmospheric perspective to control the illusion of three-dimensional depth in your two-dimensional images. When you do this, the scenes you present will become more believable, eye-catching, and compelling.

Adjust Color Selectively

The key to using atmospheric to enhance your images is to adjust color selectively.


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The 25 Most Beautiful Black-And-White Movies

Wings Of Desire, Beauty And The Beast, Embrace Of The Serpent, Dead Man, Seven Samurai, The Seventh Seal, The Passion Of Joan Of Arc …

We’ve all got our favorite black-and-white films. Any top 10 or 25 list will surely leave some of our favorites out and start a debate – that’s well worth having. Doing the hard work of picking our tops and supporting our choices helps us be clearer about what we most appreciate, inspiring ideas for how we might incorporate those qualities in our own images and be better able to celebrate it with others. Preparing for this task is a pure pleasure. Consider immersing yourself in the wonderful world of black and white with classic movies.

Here are 5 lists of the most beautiful black-and-white movies. Enjoy!

Taste Of Cinema – The 25 Most Visually Stunning Black-and-White Movies of All Time

List Challenges – The 25 Most Visually Stunning Black-And-White Movies of All Time

IMDB – Most Beautiful Black And White Films (Post 1965)

Listal – The Most Beautiful Black And White Films

New York Film Academy – The Best Black & White Films In Cinematography

What are your favorite black-and-white movies?
Leave your recommendations in the comments.

Find more Color Theory inspiration from the movies here.
Explore my Black & White resources here.
Learn more in my digital photography and digital printing workshops.

Quickly Remove Distracting Elements Using Generative Fill in Photoshop

Julianne Kost demonstrates how to use the Object Selection tool, Generative Fill, and Camera Raw as a smart filter to remove distracting bright areas in the image and put more emphasis on the subject.

For more check out Julieanne’s blog.
Learn more with my Composition resources.

Learn more in my digital photography and digital printing workshops.

Understanding Wes Anderson’s Unforgettable Color Palettes In 10 Movies

Color Theory and Wes Anderson’s Style — Sad Characters in a Colorful World

Few directors use color as masterfully and idiosyncratically as Wes Anderson. In each movie and scene of individual movies, color sets the mood and tells you about the plot and character. Though he clearly understands and uses classic color theory, his use of color transcends aesthetic formulas and encodes content with complexity and nuance.

Watching his movies is both an education and an inspiration.

Read a detailed analysis of 10 movies here.
The Wes Anderson Color Palette: Bright Colors Meet Dark Subjects

How To Take Accidentally Wes Anderson Photos

Follow Wes Anderson on Instagram here.

Follow accidentallywesanderson on Instagram here.

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.

Using Lightroom Classic and Photoshop to Improve the Composition of a Photograph

“Julieanne Kost demonstrates tips and techniques for using Lightroom Classic and Photoshop to crop, transform, and expand a photograph using Generative Fill to make a more balanced composition.”

For more check out Julieanne’s blog
Learn more with my Composition resources.

Learn more in my digital photography and digital printing workshops.

How To Decode Color In Christopher Nolan’s Amazing Movie Inception

Consider how you can use color as a code to move viewers between images and/or sets of images. Christopher Nolan’s masterful use of color in his movie Inception will inspire you to new heights.

Inception moves between five levels of reality; waking, three levels of dream, and limbo, a plane of infinite subconscious that can be entered by traveling through the deepest dream level. The differences between each dream level’s color palette help viewers distinguish where characters are as they move between layers. Color becomes more than pleasing; it becomes content, a code to be decoded.

In the highest waking and lowest dreaming layers there is no consistent color palette; they have not been designed by the dream architect Ariadne. The three dream layers that have been designed have consistent palettes.

Dream layer one’s rainy exteriors are dominated by grays, dark blues, and blacks.

Dream layer two’s urban interiors are composed of warm oranges and browns.

Dream layer three’s snowy exteriors are rendered with bright whites and grays.

Understanding the use of color in Inception helps viewers orient and better understand this complex movie.

How many ways could you apply this principle in your images?

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.