Lightroom 5 – Smart Previews
Julianne Kost shows how to create lightweight, efficient Smart Previews to work with offline images in Lightroom.
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Learn more in my digital photography and digital printing workshops.
Julianne Kost shows how to create lightweight, efficient Smart Previews to work with offline images in Lightroom.
View more Lightroom videos here.
Learn more in my digital photography and digital printing workshops.
Discover the new enhancements to Lightroom’s Advanced Healing Brush including the ability to heal and clone non-circular brush spots as well as remove easy-to-miss sensor dust using the new Visualization tool.
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Learn how easy it is to apply Lightroom’s selective adjustments including color temperature, exposure, sharpening, noise reduction and more using the new Radial Filter tool.
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Learn more in my digital photography and digital printing workshops.
Julianne Kost demonstrates the seldom talked about features in Lightroom 5 that can make a huge difference in the way that you work with your images.
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Learn more in my digital photography and digital printing workshops.
Richard Harrington demonstrates the power of combining detail enhancement and reduction in Photoshop.
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Richard Harrington demonstrates how the Blur Gallery filters can be combined. You can adjust how the transition zones, and the Field, Tilt Shift and Iris blurs interact.
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Learn more in my digital printing and digital photography workshops.
Richard Harrington quickly and simply displays the magic offered by Photoshop‘s Blur Gallery.
View more Photoshop Videos here.
Learn more in my digital printing and digital photography workshops.
Terry White shows you how to use Camera Raw as a filter on all image file types (not just raw/DNG, TIFF, or JPEG files), and how to use the filter on images that are already open in Adobe Photoshop CC.
Photoshop CC offers new improved with reduced haloing and noise.
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Before
After
Layer Styles
Blending channels is a powerful color adjustment strategy that can handle even the biggest challenges. It takes information from one channel and combines it with information from another. It’s great for repairing clipping in one or even two but not three channels. Rather than simply enhancing existing tonal values, blending channels reshapes one channel’s tonal structure with another’s. Consequently, in most cases, blending channels calls for a substitution of information by percentage, not a wholesale replacement of the deficient channel. You usually blend channels from different versions of the same image because blending channels from different compositions produces a highly altered effect.
Blending channels is complex. It often produces additional unintended color effects that may require further correction, such as shifts in hue that aren’t uniform across the tonal scale. Blending channels is neither the simplest nor the most direct path to color adjustment, but in certain situations (files that are exceptionally problematic), it may be the best path. The resulting benefits can be dramatic.
There are several ways to blend channels: Channel Mixer, Apply Image, Calculations and the most robust using channels as layers.
How do you do it? Duplicate a layer. Double click on the layer to activate Layer Styles (rasterize copies of Smart Objects to get this). Then check the channel you want to use, select a Blend Mode (typically Darken or Lighten and sometimes Multiply or Screen), adjust the Opacity, and use the Blend If sliders to constrain the effect or alternately a mask.
Read all the details on Digital Photo Pro.
Part I
Part II
Learn more in my digital photography and digital printing workshops.