Blend It Out




It’s a perfect shot! If only those unwanted moving objects (UMOs, i.e., a person or a crowd) in the scene would disappear. As long as the unwanted elements in your frame move, even just a little, you can make them disappear from your image by taking two or more shots and using Photoshop’s layering and blending capabilities.
You don’t have to retouch your image. Blending is different than retouching. The unwanted elements aren’t covered over with new information by hiding them with replacement information similar to the surround, either from the same source or another. With blends, the information behind the moving subject is revealed. How? It’s contained in the other shot(s).
You even can do this with exposures that are made with slightly different angles of rotation or framing, so you can use this technique with handheld exposures, not just those made with a tripod. Camera motion may make manual registration difficult, but Photoshop automatically will align and, in some cases, distort the separate exposures so that they register precisely …
Read more at Digital Photo Pro.
Learn more in my digital photography ebooks.
Learn more in my digital photography workshops.

Reduce Color Noise With Photoshop



It’s challenging to reduce the luminance (light and dark) component of noise without compromising image sharpness; often it requires a careful application of specialized software.

However, you can easily reduce the color component of noise using Photoshop.

Here’s how.

1    Duplicate the Background layer and turn the duplicate layer’s blend mode to Color.

2    Blur the layer (Filter: Blur: Gaussian Blur).

Be careful not to use the blur filter too aggressively. If contours exhibit reduced saturation, use a lower filtration
Using this technique, only the color of an image will be blurred, not its luminance; image sharpness will not be compromised. Luminance noise will persist; other methods are required to remove it.

This industrial strength technique is most useful when dealing with serious color noise when a Raw converter’s features can’t go far enough, such as the larger areas of color noise found in some images from Bayer pattern demosaicing.

OnOne Free Plug Ins


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You can add professional photographic effects, frames and backgrounds in Photoshop with just a few clicks with PhotoTools 2.5 Free Edition and PhotoFrame 4.5 Free Edition from onOne. You can also download free Lightroom Presets and Camera Raw Presets to speed up your workflow and instantly add effects. These products are yours to keep (they don’t expire) and will save you hours of time enhancing images in Photoshop and Lightroom.
Learn more about OnOne here.
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When To Use Virtual Copies and Snapshots in Lightroom – Julianne Kost


Julieanne breaks down the differences and points out the advantages of using virtual copies and snapshots in Lightroom 3. Since both features were designed for specific tasks, discovering what they do best will allow you to take advantage of each of their strengths.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.

Single or Multiple Catalogs in Lightroom ?


Adobe Evangelist Julieanne Kost answers one of the most commonly asked questions “If should you use a single catalog for all of your photographs or if you should you use multiple catalogs?”. As a general rule, she recommends that you use as few as possible, but discusses when using multiple could be beneficial.
Find more Adobe online training here.
Learn from Julianne live before our 2011 Iceland workshops.
Learn more in my digital photography workshops.