Disclosure – Images That Did Make It But Might Not Later

Destination - Antarctica  Comment
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I’m uneasy about this one. I underexposed the image by several stops. A bright sunlit scene became nocturnal in appearance. When discussing this image, many journalists have said the practice of underexposure is accepted. In this case, it distorts the sensation of time. It doesn’t represent the way I saw it, but instead the way I want to see it. I feel like I should censor myself and not include the image. But I included it to stimulate more discussion. Including it required disclosures like this. And more discussion. Do you think this kind of practice is acceptable in editorial contexts?
Find out about my exhibit here.
Stay tuned daily for more resources.
Get priority status in my Antarctica 2011 workshop.
Email info@johnpaulcaponigro.com.

Disclosure – Images That Did Make It

Destination - Antarctica  Comment
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While I’ve limited my practices in my work from Antarctica to those adopted by editorial photographers, I’m interested in pushing the envelope to stimulate useful dialog on contemporary practices. Here’s one. These panoramas were stitched together from multiple shots. I think that practice is fine in the context of journalism, as long as it represents what was before the lens. Yet the second panorama here is different. The exposures for this particular panorama were made over the course of several minutes. There was a lot of parallax so the icebergs had different relative positions in the exposures that were merged. Because of this, you can actually see more icebergs that otherwise would have been hidden. This type of composite actually presents the viewer with more information than a single exposure could. Is this appropriate practice? I think it is, if the author and media outlet disclose their practices. I think the news media ought to disclose much more information than they do: who the author is; how the documents were produced; how they were edited and delivered; who delivered them; what context they were placed in and how that shifts our perception of them; what time and financial constraints influenced the production; who the media derives income from; who the media outlet is owned by. We know the media’s not perfect or unbiased. We need to know who the media is. Way too many assumptions are made. We’ve lost our faith. Reclaim our trust. Give us more disclosure. That’s what I’m doing here.
Find out about my exhibit here.
Stay tuned daily for more resources.
Get priority status in my Antarctica 2011 workshop.
Email info@johnpaulcaponigro.com.

Disclosure – Images That Changed

Destination - Antarctica  Comment
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Several images changed for inclusion in my book Antarctica. Why? The original versions contained small, but significant,  elements that were composited from other sources. So I removed them for this project. Even though it’s often highly interpretive, editorial work is about representing the scene as it was witnessed. It wasn’t clear to me until after the initial voyage what kind of project I was developing. As it became clearer and clearer I realized I needed to put certain restrictions on my standard practices – otherwise it would become a different kind of project. There’s nothing wrong with those practices. They’re just not appropriate for this kind of project.
It’s usually only astronomers who realize that the moon in the first version is impossibly lit; it should have light on the same side as the iceberg and mountains. I like to leave clues like this for the viewer that alerts them to the fact that images have been altered. With my other type of work, I usually don’t tell them. Instead, I let them figure it out. This keeps viewers asking a lot of questions, which is really beneficial for everyone. In the case of my Antarctica work, I’m now doing the reverse. It’s appropriate and relevant to do so. In this case, full disclosure raises more questions. Questions and dialog are useful.
Find out about my exhibit here.
Stay tuned daily for more resources.
Get priority status in my Antarctica 2011 workshop.
Email info@johnpaulcaponigro.com.

Antarctica Facts

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Antarctica is a place of stunning grandeur. Furthest south. Most isolated. Coldest. Windiest. Highest. Driest. Lowest biotic diversity. No indigenous cultures – ever. Largest ice mass. Triples in area seasonally. Produces 90% of the earth’s iceberg mass. Contains 68% of the world’s fresh water. Global climate regulator. Global climate indicator. Global territory for scientific research. It’s simply fascinating!

Read more about it here.
Find out about my exhibit here.
Stay tuned daily for more resources.
Get priority status in my Antarctica 2011 workshop.
Email info@johnpaulcaponigro.com.

3 Voyages – 3 Kinds of Writing

Creativity - Storytelling, Destination - Antarctica  Comment
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You can read my writings from three separate voyages to Antarctica.
The first statement was written midway through the trip to help me focus.
The second statement was written at the end of the trip to clarify my practice.
The third statement was written as a daily journal for live blog posts.
Three different trips. Three different kinds of writing. One evolving process.
Writing has helped my creative process. How can writing help yours?
Find out about my exhibit here.
Stay tuned daily for more resources.
Get priority status in my Antarctica 2011 workshop.
Email info@johnpaulcaponigro.com.

James Balog – Extreme Ice Survey

Photographers  Comment
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Jim Balog has been doing an absolutely fascinating photographic project. He and a team of glaciologists have put cameras around the world and set them to take exposures every hour. The changes they’ve tracked have been astonishing – even to the most learned scientists! You’ve never seen anything like this. Few people have. Until now. This project is important photographically – it’s extended the way photographers work and think about developing projects. The focus on movement/change represented by still photographs, many presented as time lapse series moves us ever closer to blurring the lines between still and video. It’s a project of historic proportions in so many ways.
This project presents important evidence in the quest to understand climate change. Here’s the bottom line. “Over 100 million people live within three feet of sea level—the very amount that experts expect seas to rise by 2100. Cities will spend trillions on coastal defenses, low-lying regions such as Florida and Bangladesh will be devastated, and many island nations will cease to exist. Overall, the consequences will test our ability to adapt like never before.” The debate is not whether climate change is happening. 90% of scientists agree it is. The real debates are how much, how fast, how much is geophysical, how much man contributes, what we can do about it, and are we prepared to react to it.
Watch Extreme Ice here.
Learn more about James Balog here.
Balog ends the series in a place that has captivated me – Iceland.
Check out my Iceland workshop here.
See my work in Antarctica. Images. Text. Book.

Epson Print Academy – Chicago – 3/14/2009

Event - Seminar  Comment
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The Epson Print Academy comes to Chicago tomorrow. Both tracks 1 & 2 are full day information packed seminars offered at an unbeatable price.
I’ll be processing one of my new files from Antarctica live during my demos.
Henry Wilhelm will be making a special appearance.
It’s one of the last Epson Print Academy events and the only domestic one of the season; there are only two more after this in Toronto and Vancouver.

Check out the Epson Print Academy here.
Check out my Fine Digital Print Workshops here.

Kathy Beal – Alumni – Antarctica

Alumni, Workshop  Comment
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Kathy Beal has a thoroughly unique approach to making images, capturing out of focus fields of color on location and using them as a jumping off point for creating unique compositions in Photoshop. Though still inspired by specific places and their palettes, her images take you to entirely new places with a palette all her own.
Kathy’s one of my long standing alumni who has come so far so fast it’s thrilling to watch! It took a combination of many things to make breathroughts – commitment, research, persistence, risk, courage, feedback, sensitivity, passion, and the most important of all hard work. But she enjoys what she’s doing so much, it doesn’t seem like hard work. She’s become incredibly productive, producing thoroughly unique work. Her growth can only be described as an explosion of creativity.
Check out more of Kathy’s work from Antarctica here.
Check out my workshops here.

Ocean Nova Aground in Margueritte Bay, Antarctica

Workshop  Comment
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Quark Expedition’s Ocean Nova ran aground in Margueritte Bay, Antarctica. This is the very same boat we were on last month, in the very same location. We had much better weather and much better luck. Find out more at USA Today. And the Telegraph.

Check out my other Antarctica posts – type Antarctica into Search.
Stay tuned for new Antarctica images and an updated Antarctica Blurb book.
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