How To Make Day Look Like Night In Your Images

Because both analog film and digital image sensors are not as sensitive in low light as the human eye, night scenes recorded in natural light are typically underexposed to the point where little is visible. However, night scenes can be rendered with daylight.

"Day for night" is a set of cinematic techniques used to simulate the appearance of night while filming during the day. It's often used when it's too difficult or expensive to shoot at night, but it's sometimes selected deliberately because it offers special image qualities. It's not just technique; it's also an aesthetic.

The same techniques cinematographers employ can be used for still images.

Exposure

When shooting day for night, scenes are typically underexposed in-camera or darkened during post-production, reducing saturation and adding a blue tint – though some movies, like Mad Max: Fury Road, deliberately overexpose. There's more than one way to create the impression of night, and each one offers unique qualities.

ND filters are needed only for the brightest scenes or to prolong exposures to create motion blur.

Continue to use ETTR (expose to the right) but use it more cautiously; above all, don't clip highlights. This will offer you more latitude during post-processing. Avoid dramatic underexposure, which can crush shadows, flatten midtone contrast in ways that reduce flexibility during post-processing, and accentuate noise.

Very bright skies can disrupt the effect. If the sky isn't necessary in a composition, eliminate it. If it is, plan your exposure accordingly. Consider making a second, darker exposure for the sky.

Using HDR exposure techniques, even when a normal exposure wouldn't require them, will give you a variety of exposures for shadows and highlights to choose from or allow you to render a lower contrast combination that is more likely to produce convincing effects.

Lighting

Always consider the scene's light and modify your exposure and post-processing accordingly.


Insights Members can login to read the full article.
Email:
or Sign up

New eBook – Atmospheric FX


My ebook Atmospheric FX will help you take control of the weather in your images. Weather can alter the mood of any image. Sometimes weather makes the image. Photographers learn many ways to make the most of the weather. Now, you no longer have to wait for the perfect weather, you can create it using Adobe Photoshop. Learn to do this and you will dramatically expand your creative possibilities. Add an accent or transform an entire image. The choice is yours. Think of the possibilities!
Table of Contents

1 Skies
2 Atmospheric Perspective
3 The Language Of Night
4 Atmosphere
5 Smoke
6 Snow / Rain
7 Illumination
8 Rays Of Light
9 Stars
10 Lightning
11 Rainbows
12 Reflectiion
13 Shadows
 
136 pages fully illustrated.
Updated from my book Adobe Photoshop Master Class.
Compatible with all versions of Adobe Photoshop.
 
$9.99
Buy the PDF here
Download a free preview here.
 

Preview My R/Evolution DVD Series Online

all_dvds
You can view over 30 minutes of online training free on my website.
Watch these excerpts from my R/Evolution DVD series.
6 Simple Steps to Good Color Management
The Art of Proofing
Photoshop Color Tools
Photoshop Color Strategies
Black & White Mastery
Drawing With Light – 21st Century Dodging & Burning
Atmospheric FX
Stay tuned for more from my 3 new DVDs,
Fine Art Digital Printing
Fine Art Workflow
Extending Dynamic Range – HDR. Imaging
Learn more in my R/Evolution DVD series.
Learn more proofing techniques in my Fine Art Digital Printing Workshops.

Limits of Photography


During our South American Cruising Through Life workshop we saw some amazing atmospheric effects: a fabulous smoky red moonrise; a moonbow with parahelia (brighter iridescent flares at the sides); and a star so bright and low on the horizon that it cast a long line of reflection in the ocean. These experiences made a lasting impression on me. I’m sure they’ll make appearances in my work. I made exposures, but none of these phenomena could be captured adequately on a moving boat. The situation and the tools at hand didn’t make finished exposures. But I’ll make finished images from the situation, using a combination of digital photography and rendering. I look forward to the day photography is able to capture images like these in these situations directly. I’m sure this won’t stop me from continuing to render images. But it will present me with new opportunities. Until then a little invention is required.
Find out more about Cruising Through Life here.
Find out more about Vincent Versace here.
Find out more about my Atmospheric FX ebooks here and here.
Find out more about my Atmospheric FX DVD here.
Read what one happy viewer though about my DVD Atmospheric FX here.
Find out more about my upcoming workshops here.
Sign up for Insights for advance notice and discounts on upcoming workshops.

Make the Weather


We had great weather on our South American Cruising Through Life workshop. Most of the tourists would agree. On the other hand the photographers might not. Only the first day and a half had much weather – fog. That’s when I got a majority of my keepers. The skies were often clear, offering only an undistinguished background of simple blue. When there were clouds they were undistinguished cumulus humilis, no cumulonimbus, no cirrus, with few sheets of stratus. The sunsets and sunrises were pretty but not distinguished. There wasn’t much wind or swell so the seas were calm. Still, I shot. I got a few quiet keepers. And a lot of raw material for composites, which will ultimately yield more dramatic results. Today, you can make the weather. Understanding the new possibilities of digital rendering opens up many new opportunities for making exposures. Once you’ve been exposed to them you’ll start seeing new possibilities.
Find out more about Cruising Through Life here.
Find out more about Vincent Versace here.
Find out more about my Atmospheric FX ebooks here and here.
Find out more about my Atmospheric FX DVD here.
Read what one happy viewer though about my DVD Atmospheric FX here.
Find out more about my upcoming workshops here.
Sign up for Insights for advance notice and discounts on upcoming workshops.