24 Great Quotes By Photographer Chris Rainier

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Enjoy this collection of quotes by photographer Chris Rainier.
Enjoy this collection of quotes by photographer Chris Rainier.
“I am a storyteller who uses a camera.” – Chris Rainier
“I always knew that I wanted to be involved in seeing and understanding from seeing around the world. Photography is a perfect way to do that.” – Chris Rainier
“We need to take a moment now and then to trade stories about what it really means to be a human being.”
“I am South African by birth, but because of my father’s job, our family traveled a lot. While living in places like Africa and Australia, we visited indigenous peoples. From the beginning, I carried a camera to document the beauty and wonder of these far-flung countries. I also realized many of these cultures were faced with issues I could not ignore. I understood at a very early age, things were not like they were represented in travel magazines.” – Chris Rainier
“Working with Ansel (Adams), what happened there for me was, “Oh, I could use photography as a social tool.” His use of photography for environmental issues was phenomenal.” – Chris Rainier
“We consider biological diversity of these different flora and fauna crucial to our survival, but don’t think about intellectual diversity — in fact, we kind of look at it in a global market level, wouldn’t it be great to have one language? Well, if all we’re doing is communicating about commerce, perfect. But what about diversity that comes up in a language. Each language has its own unique way of looking at things.”
“We are at a crucial crossroads of human history. We are losing traditional cultures with their ancient ways of life and spiritual beliefs at catastrophic rates … With my photography of the First Peoples of our fragile planet, I hope to show spiritual traditions from our past in the present, and become part of the process in some small way of helping prefer life for future generations. I believe photography plays a crucial role in helping sustain and revitalize cultures on the edge.” – Chris Rainier
“With my photographs, I hope to show the past in the present and become part of the process of pressuring life for the future. As our television sets carry us boldly about the world, and as the chainsaws fell the last trees that hide the lost peoples, we lose an essential mystery, and with it, the wisdom which may lie there. If we would be citizens of that world, then we must do all we can to ensure the survival of that world. As only one form of life on Earth, we must keep our humility and finally honor life itself. Once the fragile umbilical cord to our primal past has been severed, we will find ourselves truly alone, without purpose, adrift in a vast space with nowhere to go.” – Chris Rainier
“What would happen if you gave a camera to the Afghan girl in Steve McCurry’s iconic photo? How different would those photographs be? Not to replace the Steve McCurry’s, but rather to create another chair at the table of the dialogue of what it means to be human. It’s not an either/or. It’s not a good or a bad. It just simply is.There are voices out there that have incredible vision, and we aren’t accessing them enough.” – Chris Rainier
“There’s so many cultures that are still now not connected and are getting left behind in the digital divide. More and more, this is a world where you don’t exist unless you’re online, and you don’t have access to information to education to empowerment, to women’s issues, to job opportunities, unless you’re connected.” – Chris Rainier
“I have come to realize that the further I evolve as a photographer, regardless of where I point my camera, I am taking a self-portrait — a reflection of my own story, my own beliefs, my own point of view. Nothing more. Nor do I presume that where I point my camera and take a picture is a reflection of the absolute truth. There is no such thing as an absolute truth. All images merely reflect the emotion of the photographer and the opinion of the reviewer. As it is stated in photography, there always exists two individuals in every image, the artist and the observer, and their sets of beliefs and cultural biases.” – Chris Rainier
“We’re always told to be objective. Well there is no such thing as objective. There is no such thing. We all have an opinion. As visual storytellers we must form opinions therefore things become subjective and the more intense they become they become extraordinarily subjective. I think the powerful images in documentary and photojournalism, if not in other areas of our field, are the ones where people have taken a stance and made a subjective opinion.” – Chris Rainier
“It’s presumptuous of me to document this culture and call it a documentation. It isn’t a documentation, it is an interpretation of their culture.” – Chris Rainier
“I’m also really trying to be careful not to deal with stereotypes. I was most concerned that I didn’t perpetuate the myth about the savage cannibal. In part that’s why I didn’t go in the direction of National Geographic. They have a colonial approach to the exotic. I didn’t want to get into that. I wanted to try to be as honest about a culture as possible, which is never entirely possible, we always have our own cultural bias.” – Chris Rainier
“I couldn’t get a straight answer when I was with the indigenous people. So I came back, read about it, and went back again and again. The wrong thing that happens, in my mind, is that you’re so prepped on western scientific explanations for things that you’ll miss the point completely.” – Chris Rainier
“What I’ve learned along the way is you have to ask the right question to get the right answer. Often as westerners we go in asking western questions and maybe that’s not the question to be asked. You need to be asking the question in a New Guinea sense. In a sense of the relevancy of their culture not the relevancy of what we think it is. There’s a big difference.” – Chris Rainier
“What’s going on in contemporary anthropology, trying to empower indigenous people to tell their own stories and get a more accurate story to tell other cultures.” – Chris Rainier
“The minute an indigenous culture becomes aware of its value to other cultures it shifts its tone and its perspective.” – Chris Rainier
“There are many examples of where they’re being overrun. But there’s power in information and there are enough organizations like Cultural Survival, Conservation International, Shaman Pharmaceutical. Shaman Pharmaceutical is actually going into the forest and documenting what the shamans are using but they are also linking up the shamans so they can talk to each other. So there are shamans in Borneo talking to shamans in the Amazon, ‘Hey what kind of leaves do you use?’ I think technology is being used in a constructive way to help people preserve their cultures.” – Chris Rainier
“They’re going to be able to hold onto their land and cultural beliefs. You take them out of that context and they’ve lost their roots, they have lost their sense of being nourished. That’s exactly what we’ve lost.” – Chris Rainier
“There are may be questions that we should never find the answers to. You know, in a world that quantifies everything. And this is what I wrote about in one of those essays in the New Guinea book. I hiked through this valley for a couple of weeks, and went through this valley of leeches, and got to the edge of this community, and this valley where this community lived, and the warriors met me – they knew that I was coming – and they said, ‘No. We are not going to let you in. We’re not allowed to let you in.’ I was upset. I was frustrated. I had spent all that time and energy and money to get there. And then after a day or so of spending time on the outer perimeter of this valley with the warriors who were very kind to show me around on the fringes, I got it. It’s good to know that there are places that are untouched, unmapped, not understood, and not quantified because then it still allows us to have the concept of the mystery of life. Once science takes over it quantifies everything, then we’re done for.” – Chris Rainier
“How do you put a value on art? How do you put a value on a little kid who comes wandering through here, and has a shift in his perspective, and is profoundly affected, and becomes the next Picasso or the next President of the United States. It’s these things you can’t put quantitative values on. You can’t do that with art, you can’t do that with indigenous cultures. It’s my belief that it is indigenous cultures that still have family values and a sense of connection between them, the land, and the spiritual connection of all things. That is the greatest gift they can give to us. There are some gifts that we can give to them – certainly medicine and technology to preserve their culture, video or email or the internet. What they need to give to us is a sense of what we have already lost. I think they are really our last chance to reconnect. I think people are appreciating these kind of cultures more and more because they see the differences – what we don’t have and what they do.” – Chris Rainier
“I’d like to touch upon that thing that completes the circle. That’s the documentation of some of these emotional social issues in the world and how it’s for me an important necessity, as much as doing sacred places. It is the yin and yang, the extreme corners of human experience from the Garden of Eden, still left on the planet, to the Dante’s Inferno of places like Sarajevo, Rwanda, or Chechnya for here lies the mysteries of man’s inner light as well as his inner darkness. This truly makes this work complete. As a photographer I’m curious to go into these extreme corners and put them on film.” – Chris Rainier
“I’m trying to create that sense of the spiritual reason why these places or these masks exist.” – Chris Rainier
Read my conversation with Chris Rainier.
View 12 Great Photographs By Chris Rainier.
Watch Chris Rainier’s TED talk.
Visit Chris Rainier’s website.

The Essence Of Black & White Mastery – Video

 

In my presentation (sponsored by Canon) at B&H’s OPTIC 2016 Conference I share unique insights into black and white photography including – why black and white are colors, why you need color management, ways of seeing in black and white, how to prepare files for conversion to black and white, how to tone black and white images, 5 classic styles of black and white photography and more.

Read more in my Black & White lessons.
Learn more in my digital photography and digital printing workshops.

25 Quotes By Photographer Jock Sturges

 
Enjoy this collection of quotes by photographer Jock Sturges.
“That’s my ambition: that you look at the pictures and realize what complex, fascinating, interesting people every single one of my subjects is.” – Jock Sturges
“Physical beauty is such a strange thing.” – Jock Sturges
“Different members of different cultures will think that some things are beautiful.” – Jock Sturges
“The truth is that from birth on we are, to one extent or another, a fairly sensual species.” – Jock Sturges
“As soon as you forbid something, you make it extraordinarily appealing. You also bring shame in as a phenomenon.” – Jock Sturges
“If somebody’s pointing a trembling finger at your pants and saying you shouldn’t be doing that, follow that finger back, go up the arm and look at the head that’s behind it, because there’s almost always something fairly woolly in there.” – Jock Sturges
“A virulent, aggressive minority has decided that Americans don’t know themselves what it is they should see, and need to be protected by people who are wiser than they are, even if they are only a tiny sliver of the population.” – Jock Sturges
“That dichotomy between the public consumption of the work and my intent and practice in making it is an uneasy one for me, on occasion.” – Jock Sturges
“I found myself serving a sentence of public denial from the very second the raid on my apartment happened.” – Jock Sturges
“I’m guilty of extraordinary naivete, I suppose. But it’s a naivete that I really don’t want to abandon, not even now.” – Jock Sturges
“But empirically I’ve come to understand that my photographs really don’t do any harm.” – Jock Sturges
“I became good at defending myself, but as far as I was concerned, that was a transient skill.” – Jock Sturges
“The world is shrinking as we see more and more of it in the media, and the more we see of the world, the smaller we are, the more aware we are of how insignificant any one of us is.” – Jock Sturges
“We live in an age where anonymity is growing in magnitude like a bomb going off.” – Jock Sturges
“Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.” – Jock Sturges
“Before, I’d photograph anything. I didn’t think there was anything more or less obscene about any part of the body.” – Jock Sturges
“Any artist that’s involved in their work is inevitably going to have a focus in what they do.” – Jock Sturges
“I’m an artist that’s attracted to a specific way of seeing and a way of being.” – Jock Sturges
“I know the families that I photograph extremely well, and I’ve known them for a very long time.” – Jock Sturges
“All my life I’ve taken photographs of people who are completely at peace being what they were in the situations I photographed them in.” – Jock Sturges
“I don’t photograph any two people who are remotely the same.” – Jock Sturges
“I’d rather get back to making art than talk about it.” – Jock Sturges
Read our conversation here.
View 12 Great Photographs Collections here.
Read more in The Essential Collection Of Photographers’ Quotes.
View more in The Essential Collection Of Photographers Videos.

11 Quotes By Photographer Julia Margaret Cameron

 
“Beauty, you’re under arrest. I have a camera, and I’m not afraid to use it.” – Julia Margaret Cameron
“I longed to arrest all beauty that came before me, and at length the longing has been satisfied.” – Julia Margaret Cameron
“I turned my coal-house into my dark room, and a glazed fowl house I had given to my children became my glass house! The hens were liberated, I hope and believe not eaten… all hands and hearts sympathised in my new labour, since the society of hens and chickens was soon changed for that of poets, prophets, painters and lovely maidens, who all in turn have immortalized the humble little farm erection.” – Julia Margaret Cameron
“I believe that… my first successes in my out-of-focus pictures were a fluke. That is to say, that when focusing and coming to something which, to my eye, was very beautiful, I stopped there instead of screwing on the lens to the more definite focus which all other photographers insist upon… ” – Julia Margaret Cameron
“What is focus and who has the right to say what focus is the legitimate focus?” – Julia Margaret Cameron
“My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the Real and Ideal and sacrificing nothing of the Truth by all possible devotion to Poetry and Beauty. ” – Julia Margaret Cameron
“From the first moment I handled my lens with a tender ardour, and it has become to me as a living thing, with voice and memory and creative vigour.” – Julia Margaret Cameron
“When an actor is in the moment, he or she is engaged in listening for the next right thing creatively. When a painter is painting, he or she may begin with a plan, but that plan is soon surrendered to the painting’s own plan. This is often expressed as ‘The brush takes the next stroke.’ In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express.” – Julia Margaret Cameron
“When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer.” – Julia Margaret Cameron
“Personal sympathy has helped me on very much. My husband from first to last has watched every picture with delight, and it is my daily habit to run to him with every glass upon which a fresh glory is newly stamped, and to listen to his enthusiastic applause. This habit of running into the dining-room with my wet pictures has stained such an immense quantity of table linen with nitrate of silver, indelible stains, that I should have been banished from any less indulgent household.” – Julia Margaret Cameron
“The capacity for delight is the gift of paying attention.” – Julia Margaret Cameron
View 12 Great Photographs Collections here.
Read more in The Essential Collection Of Photographers’ Quotes.
View more in The Essential Collection Of Photographers Videos.

Seeing in Black and White

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Learning to see in black and white has changed. Prior to the 21st century, black and white photographers developed a heightened sensitivity to intensity and direction of light as well as tonal relationships between highlights and shadows. For the most part, they discounted the appearance of hue and saturation, with a few exceptions.

These perceptual skills are still very important for 21st century digital black and white photographers. But, today, previsualizing possibilities becomes much more challenging. Because you can make any hue light or dark, globally or locally, dramatically extending the variability of an image's tonal structure, the two additional variables, hue and saturation, need to be factored in rather than factored out.


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