Lecture – Academy of Arts in San Francisco


Tonight from 7-9 in San Francisco at the Academy of Arts, I lecture on my work and creative process with an eye towards advances in technology. The lecture is free and open to the public – sponsored by Canon.
Here’s an excerpt.
I often encounter resistance to new practices in photography. Some say, “You can’t do that.” I reply, “I just did.” They respond, “But that’s cheating.” I counter “Whose game are you playing?”
There’s no such thing as cheating in the creative arts. There is such a thing as misrepresentation. As creators we all share a responsibility to disclose our process so that viewers can react in informed ways. This has never been more true than today, where technology challenges many of the assumptions that were almost too easy to make in the past. This cultural dialog is an important part of understanding where we are today, how we got here, and where we may be going.
Listen to my artist’s statements here.
See my work here.

San Diego – Lecture Tonight & Workshop Next Two Days


Lecture – Museum of Photographic Arts
Tonight from 7-9 in San Diego at the Museum of Photographic Arts and Cuyamaca College, I lecture on my work and creative process.
Here’s an excerpt from my statement A Call To Connection. “This work is a call to incite conscientious creative interaction with our total environment. This work is a call to connection with us. If we feel that we are a part of nature, conscientious practices will no longer need to be legislated, they will simply happen. If we feel that we are not insignificant, we will act to make our own positive contributions in our own unique and creative ways.”
Read my Artist’s statements here.
See my work here.
Workshop – Julia Dean in San Diego
Friday and Saturday I’ll be teaching a workshop – The Power of Color. Space is still available.
Find out more here.
Find more Canon sponsored events here.

PhotoPlus East – Expo


PhotoPlus East starts next week.
It’s the premiere photographic tradeshow in the US.
The presentations at manufacturer booths are free.
The seminars are fee based.
Both are are excellent.
I’ll be presenting a number of sessions.
Thursday, Oct 23
9-12             Fine Art Workflow (with Mac Holbert)(TA10)
3:30-4:15     Lightroom 2 – Fine Art Output (Adobe Booth)
Friday, 10/24
9-12              Extending Dynamic Range (FA7)
2-3                Epson Poster Signing (Epson Booth)
Saturday, 10/25
9-12              The Fine Digital Print (SA9)
12:30-1:15     Lightroom 2 – Fine Art Output (Adobe Booth)

Canon EOS 5D Mark II


The Canon EOS 5D Mark II heralds a new era in DSLRs.
Simply.
$2,699
21.1 mp
HD and SD video – up to 1920 x 1080 pixels at 30 fps
Full frame live preview
High ISO – 25,600
Low noise
Lightweight
“The highest level of image quality of any EOS Digital SLR released to date.”
Amazing!
Check out the specs on Canon’s website.
Check out PyxSylated here.
Check out Rob Galbraith here.
Check out DPReview here.
Canon’s press release follows.
Read More

I Use – 3 Filters / Polarizer, ND, IR


Because it offers so many more options, digital imaging may change the way you use your tools.
For instance, I use only 3 filters – a circular polarizer, a neutral density filter, and a infrared filter.
No other filter is as useful to me as a polarizer. Polarizers remove glare making colors more saturated and reflections allowing you to reduce or remove images on the surface of reflective surfaces. No software filter can do this. I use Canon’s circular polarizer. Whenever possible, I prefer to match filters to the manufacturer of the lens,
I’ve been experimenting with long exposures. Singh Ray makes a unique neutral density filter – the Vari-ND filter. Rotate it and you can slow reduce light between 2 and 8 stops. This eliminates the need to carry multiple filters and to stack them during exposure. It’s fantastic. (As an aside, I prefer all graduated filtration to be done with software because you can control both the effect and the graduation precisely.)
For infrared imagery I use an infrared filter. It’s not exactly the same as converting a camera to infrared, but it’s closer than simulating IR effects with software and it’s doesn’t permanently change your camera. I prefer to carry as little equipment as possible, move freely, and take long walks. Because I prefer to keep my options open, many times I will shoot in full color and use software to create an IR effect. If you take both a full color and IR filtered exposure of the same subject you have many more options.
I demonstrate these kinds of techniques in all of my field workshops.
See more of the products I use here.
Check out my full Review on the Singh Ray Vari-ND filter here.
Get Insights free here, for upcoming alerts of new Reviews.
Read about essential camera tests techniques here.
Check out my field workshops here.
Get a 20% discount on my Iceland (8/18-22) workshop here – expires 8/10.
Get a 15% discount on my Fall Foliage (10/17-20) workshop here – until 8/17.
The first 5 Insights Members get $1000 off South America (2/2-14/09), thereafter $250.