What In The World Is Color Grading – Why & How To Do It

Color grading can unify images of different subjects shot at different times and locations.

Correction Versus Grading

Many people use color correction and color grading interchangeably, but their intents are quite different, while both are post-production processes and often use the same tools. Color correction is an objective technical process where colors are adjusted to appear natural; color grading is a subjective artistic process where colors are enhanced to evoke time, atmosphere, physical sensations (like temperature), and/or emotions. Correction convinces minds (avoiding personal biases); grading provokes feelings (celebrating personal preferences).

Correct Before You Grade

For some (scientists, journalists, product photographers, and art reproduction), color correction is the first and last step. For others (artists, many fashion and portrait photographers), color correction is a necessary prelude to color grading. Producing a neutral base gets images ready for artistic effects. Clipped highlights and shadows, color casts, and too much or too little saturation can all get in the way of successfully color-grading images. Correction also produces consistency between multiple shots. You won’t need to customize the color grading for different images if they are first color-corrected. This can save a lot of time and confusion if you’re processing many images.

Things To Look For During Color Correction

1    Preserve shadow and highlight detail.

2    Remove color casts. Make neutrals truly neutral.

3    Set saturation neither too low nor too high.

      Monitor memory colors: skin, blue sky, green grass, etc.

Read more on 4 Ways To Achieve Neutrality.

Tools To Create Color Grades With


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The 25 Most Beautiful Black-And-White Movies

Wings Of Desire, Beauty And The Beast, Embrace Of The Serpent, Dead Man, Seven Samurai, The Seventh Seal, The Passion Of Joan Of Arc …

We’ve all got our favorite black-and-white films. Any top 10 or 25 list will surely leave some of our favorites out and start a debate – that’s well worth having. Doing the hard work of picking our tops and supporting our choices helps us be clearer about what we most appreciate, inspiring ideas for how we might incorporate those qualities in our own images and be better able to celebrate it with others. Preparing for this task is a pure pleasure. Consider immersing yourself in the wonderful world of black and white with classic movies.

Here are 5 lists of the most beautiful black-and-white movies. Enjoy!

Taste Of Cinema – The 25 Most Visually Stunning Black-and-White Movies of All Time

List Challenges – The 25 Most Visually Stunning Black-And-White Movies of All Time

IMDB – Most Beautiful Black And White Films (Post 1965)

Listal – The Most Beautiful Black And White Films

New York Film Academy – The Best Black & White Films In Cinematography

What are your favorite black-and-white movies?
Leave your recommendations in the comments.

Find more Color Theory inspiration from the movies here.
Explore my Black & White resources here.
Learn more in my digital photography and digital printing workshops.

How To Decode Color In Christopher Nolan’s Amazing Movie Inception

Consider how you can use color as a code to move viewers between images and/or sets of images. Christopher Nolan’s masterful use of color in his movie Inception will inspire you to new heights.

Inception moves between five levels of reality; waking, three levels of dream, and limbo, a plane of infinite subconscious that can be entered by traveling through the deepest dream level. The differences between each dream level’s color palette help viewers distinguish where characters are as they move between layers. Color becomes more than pleasing; it becomes content, a code to be decoded.

In the highest waking and lowest dreaming layers there is no consistent color palette; they have not been designed by the dream architect Ariadne. The three dream layers that have been designed have consistent palettes.

Dream layer one’s rainy exteriors are dominated by grays, dark blues, and blacks.

Dream layer two’s urban interiors are composed of warm oranges and browns.

Dream layer three’s snowy exteriors are rendered with bright whites and grays.

Understanding the use of color in Inception helps viewers orient and better understand this complex movie.

How many ways could you apply this principle in your images?

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.

How Classic Movies Use Color To Tell Compelling Stories

Whether in painting, photography, or motion pictures, color theory is one of the most important elements in art theory.  Learn what colors mean and why and investigate the power of colour as this video answers the question “How can color tell a story?”

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.

11 Movies That Use Day For Night Plus An Inside Look At Nope’s Brilliance

“Day for night” is a set of cinematic techniques used to simulate the appearance of night while filming during the day. It’s often used when it’s too difficult or expensive to shoot at night, but it’s sometimes selected deliberately because it offers special image qualities. It’s not just technique, it’s also an aesthetic.

The same techniques cinematographers employ can be used for still images. If you’re called to explore these unique palettes, you’ll find lots of inspiration from the movies.

Some of the best examples of movies that use day for night include …

Dune 1 & 2
Nope
Tenet
Dunkirk
Interstellar
Mad Max: Fury Road
Pan’s Labyrinth
Castaway
Casablanca
Lawrence Of Arabia
Passion In The Desert

Stay tuned for details on how you too can use day for night techniques.

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.

10 Best Uses Of Color In Movies Of All Time

As this video shows, “Color is one of the most effective tools in a storyteller’s arsenal.”

When you’re choosing the colors in your still images, you can find limitless inspiration from color grading in movies. This is true for single images and for series or bodies of work. Color will not only make your images look more compelling but will also help you discover and communicate more with them.

Find more inspiration with these resources.

10 Movies With Amazing Color Schemes

50 Iconic Films and Their Color Palettes

Find more Color Theory inspiration from the movies here.
Learn more in my digital photography and digital printing workshops.

How To Find The Infinite Possibilities One Image Contains

Incubation XV

Variations_Saturation_425

Any image can support an unimaginable number of color variations. So how do you find them? Systematically make many variations. Will it take a great deal of time? It will take a little time but not a lot (maybe five or ten minutes) – and it will take less time and you’ll more thoroughly explore the possibilities if you do this systematically. You’ll find this exploration will be time very well spent. Illuminating more possibilities than you imagined will help you find more creative and personally fulfilling solutions for your images. You’ll deepen your understanding of and personal relationship with color thus your images and by extension yourself. Those who view your works will feel the difference. I can tell you from many years of personal experience that it has made all the difference in the world to me. It will do the same for you.

Before you begin …

Start With Your Strongest Image(s)

When you’re processing a number of related images it’s likely that you’ll find the solutions you choose for the strongest image in the set will apply to the others, with minor modifications. It’s rare to have images in a series with widely divergent color palettes.

Plan To Make Many Copies

Don’t try and remember all of these possibilities; there will be too many to remember.

Instead make copies that you can make side-by-side comparisons with. (In Lightroom make virtual copies. Alternately, in Photoshop duplicate files.) It will help if you organize these copies into Collections in Lightroom or organize them (possibly with folders) in Bridge/Photoshop.

Find The Big Picture, Sweat The Details Later

Ditch your perfectionist tendencies – for now. Worry more about the moves you’re making in color that the tools you’re using to make them with. Don’t get lost in the details, instead focus on the big picture. Avoid getting distracted by one exciting possibility.  Instead of rushing to finished results and committing to the most obvious solution too quickly, spend a few minutes exploring more possibilities hoping to find better solutions. More often than not, you will.

So what’s the best way to do this?

Proceed In This Order – Saturation, Luminosity, Hue

With only three elements of color, you wouldn’t think there could be so many possibilities, but the very things that generate them also make finding them manageable. You’ll quickly find the major moves that can be made if you make changes in these three elements in this order – saturation, luminosity, and hue.

Read More

The Weight Of Color



1

Images with lighter palettes tend to be brighter and less saturated (though driving colors towards white desaturates them), while those with heavy palettes tend to be darker and more saturated (though driving colors towards black desaturates them).

 

2

Brighter less saturated colors seem lighter, while darker more saturated colors seem heavier.

 

3

Colors can be matched or contrasted by weight to control visual dynamics. Here yellow and blue are matched in weight.

 

Many psychological attributes have been assigned to color, such as temperature. It’s so natural to think of color having temperature that we often don’t think about how this is an associative meaning rather than a physical fact. Physically a blue fire is much hotter than a red fire. Nonetheless, red is universally (in all cultures and periods of history) considered the warmest color and blue the coolest color. It’s quite likely that this comes from our experiences with fire (generally red, orange, and yellow) and water (typically blue in large quantities). You might think the ascription of temperature to color is particularly strong for photographers who assign white balances to their images based on the color temperature of the light a photograph was made from to reproduce color accurately. But, it’s equally strong with painters and designers who use temperature associations to create expressive color schemes.
One other useful psychological attribution to color is weight. Does yellow feel lighter than green? Does purple feel heavier than orange? Most people would say yes. Of course, our response depends on the specific variation of each broad color family. You can make a green seem lighter than yellow if you make it brighter, either with luminosity or saturation or both.

So how can you use this information? Here are four ways.

1            You can strengthen comparisons or contrasts between two image areas by making their relative weights appear more or less similar.

2            You can also set the tone for an entire image. Set a brighter airier tone by using lighter colors. Set a darker earthier tone by using heavier colors.

3            You can attract the eye more strongly to specific areas. Once a predominantly light or heavy palette has been set, you can accent it dramatically with smaller accents of contrastingly weighty colors.

4            You can create comparatively lighter and heavier palettes for specific areas of an image, such as a lighter color scheme for higher areas and a heavier color scheme for lower areas.

It’s useful to note that weight is also associated with gravity and thus vertical location.

That the word ‘light’ can be used to describe both the appearance and the mass of an image speaks volumes. Psychologically, color has weight. With only a little practice and more sensitivity, you can use this to make your images more effective.

Exercise
Sensitize yourself to the weight of color by matching the weight of colors.
1               Create two or more colors. Match the weight of two colors from the same color family, such as blue.
2               Create two or more colors. Match the weight of two colors from different color families, such as blue and yellow.

Read more Color Theory.
Learn more in my digital photography and digital printing workshops.