Oriental I

“I have always been particularly attracted to Asian calligraphy and painting. Ancient oriental paintings rely on overlap and atmospheric perspective rather than linear perspective to depict the recession of space on a flat plane. I particularly like the way they treat morning or evening mist over mountains. One abstract shape precedes another, successively growing paler, and each is paler at the bottom and darker at the top. You can see the atmosphere …”
Read the rest of this statement here.
Read my other Artist’s Statements here.