In this freewheeling conversation I range widely through my life in photography, my influences, and my projects (in particular what I’ve been doing during quarantine). Seth Resnick, Jeff Schewe, and Michael Newler pipe in profusely. Seth embarrasses me with whacky candids at the end.
Find past Cornicello conversations here.
Find upcoming Cornicello conversations here.
Bambi Cantrell
John Paul Caponigro
Douglas Dubler
Greg Gorman
Chase Jarvis
Steve McCurry
Jay Maisel
Jeff Schewe
Here what top pros have to say about their printing – and Epson’s Stylus 900 Series printers.
Learn more in my digital photography and digital printing workshops.
Read more with my online Printing Resources.
View more with my Printing DVD.
Bambi Cantrell, Douglas Dubler, Greg Gorman, Jay Maisel, Steve McCurry, and Jeff Schewe share their thoughts and feelings on their work and how they relate to it when it’s printed.
View my Epson video interview here.
Find out more about Epson Focal Points here.
“Any “object” that needs the ability to adjust size and rotation without the normal limitations of layered images is an excellent candidate for Smart Objects … When doing a traditional multilayer composite, the resizing and rotation of a layer can cause image degradation. Positioning and sizing an object has to be a precise operation because if you use Free Transform to make a layer smaller and then find out you actually need it back at the original size (or bigger), you basically have to start over. The way to deal with this situation when doing a complex composite is to make those layers into Smart Objects. Smart Objects are embedded image objects that allow resizing, rotation and other select editing without changing the pixels in the object. The image layers are actually treated as a separate file embedded within the master file. You can’t do all editing on the Smart Object, but you can open the original layers as a temporary file and do pixel-level editing there and then save the changes back into the Smart Object; the changes will auto-update in the image in which the objects are embedded.” – Jeff Schewe
Read more about Smart Objects at Digital Photo Pro.
Get Schewe & Evening’s book CS5 for Photographers: The Ultimate Workshop.
Learn more with my online resources.
Learn more in my digital photography and digital printing workshops.
The vast majority of photographic images benefit from sharpening. Before you decide how and when to sharpen images, you need to decide why you’re sharpening them. The goal is to enhance detail rendition without producing distracting visual artifacts. You’ll find many conflicting philosophies and their accompanying strategies for sharpening images. The seemingly conflicting advice can be hard to reconcile.
Should you sharpen once or multiple times? Should you sharpen differently for different subjects? Should you sharpen differently for different sizes? Should you sharpen differently for different presentation materials or supplies? Should you view your files at 100% or 50% screen magnification?
Get 15% off of Pixel Genius products with this code – JPC15CPN.
The people at Pixel Genius (Martin Evening, the late Bruce Fraser, Mac Holbert, Andrew Rodney, Seth Resnick and Jeff Schewe) produce terrific production tools for use within Photoshop – PhotoKit, Photo Kit Color, and Photo Kit Sharpener.
PhotoKit automates a variety of tasks including color correction, color to black and white conversion, toning, and basic sharpening. PhotoKit Sharpener automates some of the most sophisticated sharpening routines ever devised. They’re so sophisticated they were licensed and modified for Adobe’s Lightroom.
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Happy Birthday Photoshop!
20 years? Yes! It was released in February 19, 1990.
Here’s a link to all of the release dates through CS2 in 2005.
And a fun article written by Jeff Schewe in 2000 about the history of Photoshop.
Photoshop changed photography.
Photoshop changed my life.
How has your life changed because of Photoshop?
Find out what Bambi Cantrell, John Paul Caponigro, Douglas Dubler, Greg Gorman, Jay Maisel, Steve McCurry, and Jeff Schewe have to say about the Epson Stylus Pro 900 Series printers. You’ll hear personal stories and real world case studies of how these printers are making the best prints possible.
View these seven new videos here.
By the way, the videos were produced by Epson’s Dan Steinhardt and the same team that produces Acme Educational DVDs – Vincent Versace and Mark Vanocur,
Learn more in my free downloadable Lessons.
Learn even more in my Fine Art Digital Printing Workshops.
Stay tuned for the release of my new DVDs Fine Art Digital Printing.
H.E.L.P.
During the keynote of NAPP announced a new free resource to members. H.E.L.P. – 60 second online video tutorials. Need to know how to do something in Photoshop quick? Log on. Go to NAPP. Select and watch a video tutorial. 60 seconds later, you’ve got answers. It’s very powerful. It’s another great reason to be an NAPP member.
Find out more about NAPP here.
Find H.E.L.P. here.
I covered this morning’s keynote highlights live in real time with Twitter and my iPhone.
Read/see my live tweets of the keynote highlights here.
Coblogging Photoshop World
We’re coblogging again. That is we’re all making posts about highlights of Photoshop World. Some of us will do it daily.
Here’s a list of possible participants.
Corey Barker
John Paul Caponigro
RC Concepcion
Dave Cross
Jim Divitale
Laurie Excell
Richard Harrington
Scott Kelby
Matt Koslowski
Deke McClelland
Joe McNally
John Nack
Moose Peterson
Jeff Schewe
Colin Smith
Ben Willmore
David Ziser
Precons at Photoshop World XVII start today.
We’re coblogging again. Presenters will try and make one post a day of a highlight.
I haven’t even started my Epson Print Academy Precon (today from 1-5 with Rodney and Schewe) yet and I’ve had a highlight. RC Concepcion, Matt Koslowski, Corey Barker and I were discussing shooting for HDR for their demo during their Precon session. RC had scouted locations and remarked that crowds might be a problem. So I offered an idea. Shoot 3 shots for each bracketed exposure (three each for low, medium and high). First merge the moving people out. Then use the remaining three merges for the HDR merge. This stuff gets you thinking – in new ways. I love it! I’ll be do this in my workshop in Palms Springs next week. Someone will let you know how it goes. When they do you’ll find a link here.
You can see what other presenters share each day by accessing these links.
Here’s a list of everyone who coblogged last year. Check back for more links each day.
Corey Barker
John Paul Caponigro
RC Concepcion
Dave Cross
Jim Divitale
Laurie Excell
Martin Evening
Richard Harrington
Scott Kelby
Matt Koslowski
Deke McClelland
Joe McNally
John Nack
Moose Peterson
Jeff Schewe
Colin Smith
Ben Willmore
David Ziser
Find out more about Photoshop World here.
Check out the Epson Print Academy here.
Check out my Workshops series here.