Stack Mode Magic – Russell Brown
Russell Brown goes deep into Photoshop Stacks.
Learn more in my digital printing and digital photography workshops.
Russell Brown goes deep into Photoshop Stacks.
Learn more in my digital printing and digital photography workshops.
Russell Brown covers the basics of Smart Object. It’s must know info.
Learn more in my digital printing and digital photography workshops.
Looking for Adobe keyboard shortcuts?
Check out Julianne Kost’s blog.
Use the search function to find the keyboard shortcut you’re looking for.
In Photoshop you can find all the current keyboard shortcuts under …
Window, Workspace, Keyboard Shortcuts & Menus …
You can change them (add new ones or customize them) simply by double clicking a field and typing in your preferred keystrokes.
Save your settings to retrieve or share them in another copy or future version.
Find the latest free Adobe® Photoshop®-related beta downloads, prerelease tools and experimental technologies available on Adobe Labs in addition to a listing of other Photoshop image editing resources for designers and developers.
Julieanne Kost discusses how the addition of color as well as supporting imagery can help reinforce the mood and message of a composite image that a single photograph may fail to do on it’s own.
View more CS5 Videos here.
Learn more in my DVDs Photoshop Color Tools and Photoshop Color Strategies.
Learn more in my digital photography workshops.
Successfully managing color for digital printing requires that the color in an image file be converted from its device-neutral color space to a device-specific color space. (Typically this occurs by converting from Adobe RGB 1998 or Pro Photo RGB to a device-specific color space defined by an ICC profile characterizing a specific combination of printer, ink, paper, and driver.)
Using Photoshop, you can either convert color in an image before you send it to a printer driver or after you send it to a printer driver.
Choose one method of color management – not two. Easily made, a classic mistake is using both. Double color management typically results in a print that is too light and magenta.
The Epson printer driver provides many ways to manage color conversions and get reasonably good color. Two methods offer the best results; the Photoshop route and the Epson route.
How do you choose either of these methods?
Let Photoshop’s Print window (under Color Handling) guide you – Let Photoshop Determine Colors and Let Printer Determine Colors. (While the principle is the same for most printers, interfaces will vary. Here’s information for the most current Epson interface.)
If you choose Let Photoshop Determine Colors under Color Handling, select a profile for Photoshop to make the conversion with (a paper/ink/driver specific profile not the interface default of Working RGB) under Printer Profile, choose a Rendering Intent of either Relative Colorimetric or Perceptual, and then click Print Settings. In the Print window choose the correct Printer and then change Copies and Pages to Print Settings. Select the correct Media Type, uncheck High Speed, and choose the highest printer resolution available. Finally, change Print Settings to Color Management and select Off (No Color Adjustment). The Photoshop route turns Photoshop’s color conversion on and turns the printer’s color conversion off.
The Photoshop route tends to hold slightly more saturation but it’s rendition of neutral colors and gray balance is usually not as good as the Epson route. The Photoshop route is the route to take when you want to use a custom profile. Use it if you are printing with either third-party inks or papers which require the use a custom profile to accurately describe the behavior of the alternate media.
If you choose Let Printer Determine Colors under Color Handling, choose a Rendering Intent of either Relative Colorimetric or Perceptual, and then click Print Settings. In the Print window choose the correct Printer. Change Copies and Pages to Print Settings to select the correct Media Type, uncheck High Speed, and choose the highest printer resolution available. Finally, change Print Settings to Color Management, choose EPSON Standard (sRGB) under Mode, and select Color Controls. The Epson route turns Photoshop’s color conversion off and turns the printer’s color conversion on.
The Epson route tends to deliver a significantly improved rendition of neutral colors and gray balance with slightly less saturation. Try it when printing neutral colors. Use the Epson driver’s Advanced B&W Photo feature for black and white images.
Each route works well. Each route yields slightly different results. Test them to see the differences. (Note that you cannot see the differences between printing routes when softproofing; you have to make physical proofs to see these differences. They can significant.)
Read More
Get This – Correct Color Management
Avoid This Double Color Managed
Is your print too light and magenta? Double color management. It’s a classic mistake. I sometimes make it myself when I’m working too fast. So that you know what to look for, I recommend that you make the mistake deliberately, once, and only once, if possible.
Don’t do this …
And this …
What’s the right solution?
Check your software (Photoshop or Lightroom) and printer software (Epson driver) settings, reset them, and print again. Choose one method of color management – not two.
Read more in my online resources.
Learn more in my digital printing workshops.
Russell Brown innovates again!
Find more great Photoshop CS5 videos here.
Richard Harrington demos three features that use Adobe’s new Patch Match.
They’re game changers.
Find out more about Richard Harrington here.
Find more great CS5 videos here.
Learn more in my fine art digital printing workshops.