How To Get Perfect Results With Adobe Lightroom & ACR’s Lens Blur

Colin Smith shows how to use the new Lens Blur in Lightroom and Adobe Camera RAW, including refining the blur and adding bokeh.

00:00 Intro
00:15 How to apply Lens Blur in Lightroom and Camera RAW
00:50 Lens Blur Settings
01:16 Focal Range, change the focus distance
02:06 Visualize Depth
02:46 Changing Blur area
03:43 Refining the selection, manually fixing the blur area
07:03 Multiple blur planes. matching the background
07:46 Final Settings for the most realism
08:17 Setting the Bokeh
08:58 The Different types of Bokeh

View more from Colin Smith here.
Learn more in my digital photography and digital printing workshops.

Lightroom & Adobe Camera RAW 16 New Features in Photoshop 2024

Adobe Camera RAW 16 is here. Colin Smith shows the new features in Lightroom & ACR for Photoshop 2024.

00:00 Intro
00:12 Where didi the crop tool go in Camera RAW?
00:46 Targeted color enhancement with Point Color
03:33 Adding background Blur to a portrait with Lens Blur
06:06 Refining the selection for Lens Blur
08:01 What is HDR and why does it matter?
09:31 set up HDR output

View more from Colin Smith here.
Learn more in my digital photography and digital printing workshops.

How To Double Process One Raw File For Optimum Shadow & Highlight Detail

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Colin Smith shows you how to bring out maximum detail in highlights and shadows editing in Photoshop and Lightroom.
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How To Make Advanced Masks in Adobe Camera RAW & Lightroom

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Masks in Camera Raw and Lightroom are new. Colin Smith shows you beyond the basics, how to combine masks for more complex selections, such as selecting the foreground, adding, subtracting, and intersecting masks. Learn how to use combination and complex masks.
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The New Masking Tools In Lightroom & Camera Raw

 

 

“Discover how easy it is to make local adjustments to your photographs using Lightroom and Adobe Camera Raw’s new Masking panel and tools including: Select Subject, Select Sky, Radial and Linear Gradients, Brush, Color and Luminance Range Masking and more!”

View more on Julianne Kost’s blog.

Learn more in my digital photography and digital printing workshops.

Get Optimum Image Quality – Shoot & Process Raw Files

Download your free copy now!

 

Get the best image quality by optimally exposing and processing Raw files.

 

What In The World Are Raw Files?
Dive in to the strange and wonderful world of Raw files.

Why You Should Shoot Raw
Get highest quality images from your digital camera.

Why You Should Profile Your Camera
Improve the clarity and saturation of the color your digital camera creates.

How To Get More Than The Maximum A Slider Allows
Get 150%,  200%, 500% or more out of sliders.

 

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How Does Lightroom’s New Texture Slider Compare To Clarity and Sharpness ?

01_Dehaze_Maximum

Maximum Dehaze

02_Clarity_Maximum

Maximum Clarity

03_Texture_Maximum

Maximum Texture

04_Sharpening_Maximum

Maximum Sharpening

05_Texture_Negative

Negative Texture

06_Clarity_Negative

Negative Clarity

Think of Adobe Lightroom Classic and Camera Raw’s new Texture slider as producing an effect that lies somewhere between the Clarity and Sharpness sliders.

It’s closer to Sharpness so when you apply it, rather than looking at the full image, zoom in to 100% to evaluate the detail accentuation it produces. So, use it more for detail enhancement than contrast.


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Use Adobe Lens Profiles To Improve Your Image Quality

LensProfiles_Profile_425
Do you wish you could improve the quality of the images your lenses deliver after exposure? You can, using software. Adobe’s Lens Corrections feature uses a digital image file’s EXIF metadata about camera and lens to automate cures for standard lens distortions, including geometric distortion, chromatic aberration, and vignetting.


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What In The World Are Raw Files?

RAWvsJPEG
Your digital camera can produce two types of files – Raw and JPEG.
One can be seen instantly, because it is already processed – JPEG. The other, needs to be processed to be seen – Raw.
Few people have actually seen what an unprocessed Raw file looks like. To be seen properly Raw files need to be rendered or changed. What you see on your camera’s LCD is a JPEG produced on the fly by your camera. What you see in programs like Adobe Lightroom or Bridge are previews made with their default renderings.
Raw files are curious things. They contain color, but not a color image – yet.


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Why You Should Shoot Raw

jpegraw
If you want to create digital photographs with the highest quality, set your camera to create Raw files.
What are the upsides to shooting in Raw? Raw files contain the widest color gamut (saturation), highest bit depth (gradation), have flexible white balance (color temperature), offer the greatest opportunities for rendering highlight and shadow detail, are free of compression artifacts, and can be reprocessed indefinitely (even with tomorrow’s software) with no loss in quality. There are some downsides to shooting in Raw. Raw files are larger and require post-processing before presentation. They take up more room and they take longer to use. But the higher quality they offer are worth the effort.


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