The Great Animal Orchestra: Bernie Krause and United Visual Artists

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The Great Animal Orchestra from United Visual Artists on Vimeo.

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The Great Animal Orchestra on view at The Peabody Essex Museum November 20, 2021 through May 22, 2022

The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra.

Step into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years, Bernie Krause collected more than 5,000 hours of recordings of natural environments, including at least 15,000 terrestrial and marine species from around the world.

Trained as a musician, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world.

The Great Animal Orchestra, a collaboration between Bernie Krause and United Visual Artists, was commissioned in 2016 by the Fondation Cartier pour l’art contemporain, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain.

5 Ways To Listen Better – Julian Treasure

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5 Ways To Listen Better – Julian Treasure

4 Ways Sound Affects Us – Julian Treasure

Sound Health In 8 Steps – Julian Treasure
In our louder and louder world, says sound expert Julian Treasure, “We are losing our listening.” In this short, fascinating talk, Treasure shares five ways to re-tune your ears for conscious listening — to other people and the world around you.
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Give Yourself License to Sing

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Self_Sing
Recently, I was leading a workshop in Joshua Tree National Park. We’d come to a place called White Tank for evening light. Perched high on a cliff, I looked down into the surrounding valley and saw a young woman wandering through magnificent boulders and fabulous cacti. She was drifting slowly, almost aimlessly through the scene with her right hand raised in the air – singing. As the sound drifted through the sun drenched evening air, I couldn’t tell if she was singing a children’s song or an African chant. She was utterly unselfconscious and seemed completely absorbed in the moment. Her moment helped me appreciate my own more. I wondered, “Why we don’t all give ourselves more license to sing?” Children do it. Adults often don’t. We compare ourselves to professional singers.We grow self-conscious. We become silent. We forget to sing. What if we spontaneously sang more? Would we come to know our voices better? What if we allowed ourselves become completely absorbed in the moment more frequently? Would we appreciate the passing of each moment more? Would we find ourselves appreciating the things around us more? Why wouldn’t we do these things? Are the reasons we give ourselves for not doing these things as helpful as the reasons we can find for doing them? Why not sing more? What is the truest sound for this moment? Go ahead. Make a noise. It doesn’t have to be perfect. It just has to be real.
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