Monhegan Photographic Workshop – June 17-19


Lobster boats, rocky shores, cathedral woods, cape houses, blooming wildflowers, hiking trails and fairy huts.  Ocean sunrises and sunsets. It’s quintessential small town Maine life all on one tiny island 12 miles out to sea.
Monhegan.
Join me for a 4 night 3 day all inclusive, semi private (limited to 6), boutique photographic workshop on this extraordinary island.
Maine photography doesn’t get better than this.
Register here for this inspiring workshop
 

Only 2 Spaces Left In My Point Lobos Boutique Workshop


Just days ago I offered a new really intimate workshop format for only 4 people – semi-private. For 3 intense days, we’ll move as one – staying in the same location, sharing all meals, traveling, photographing, and making images together. I’m centering the location at Point Lobos, California (and the nearby coastline down to Big Sur), an area made famous by so many photographers (including Ansel Adams and Edward Weston), which I’ve know very well since I was a child. Great local accommodations, photography galleries, photographers, food and wine will make the experience even richer. (The price is all inclusive.)
The first session sold out in 2 hours, so I scheduled a second, in which there are only 2 spaces left.
Find out more about this special digital photography workshop here.

What It's Like To Be On Location With Me At Arches & Canyonlands National Park


Watch this video and you’ll get the sense of what it’s like to be on location with me during my Arches digital photography workshop. Plus you’ll hear two tips; one on light (search the boundaries between light and shadow) and another on composition (use frames within frames).
Find out more about my Arches Digital Photography workshop here.
Learn more about my digital photography workshops here.

Use Postcards As Props


I often like to use props to make photographs. One of my favorite props to use is images. Photographing other images, in many cases, photographing other photographs, adds layers of complexity and offers many poetic opportunities. Images ask you to look and to look in certain ways. Two images ask you to look and look again and to look in multiple ways. I find this extremely stimulating. Making images with other images in them can be a fantastic creative wellspring.
Here’s a selection of images with postcards in them that I made during my 2011 Iceland workshop.
Find out about my 2012 Iceland digital photography workshop here.
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Exploring Motion – Andrew Nixon


In my Maine Islands digital photography workshop, Andrew Nixon explored creating a dynamic tension between the still and the moving. He typically uses long exposures of moving subjects. But he tried a few new twists on his standard practices, like moving the camera. While he explored other ideas and tried many new things, he always returned to the same theme which gave his images a distinctive quality that stood out from his peers.
What themes make your images distinctive?
What experiments will help you explore and develop this further?
Find out more about Andrew Nixon here.
Read more in my creativity lessons.
Find out more about my Maine Islands digital photography workshop here.
Learn more in my digital photography workshops.

What It Takes To Be A Great Workshop Leader


What does it take to be a great workshop leader? The same things that it takes to be a great leader in any field.
A great leader communicates passionately. Then they fan the flames of other people’s passions. The one thing you don’t want to do with passion is hide it. Passion creates energy, commitment, and endurance. Passion is contagious.
A great leader walks his talk. Leaders demonstrate. They tell you the rules of the game and they also show you when exceptions prove the rules. It’s important to see how theory is modified by practice. It’s even more important to see when and how practice is customized by individuals.
A great leader offers guidance and direction. Leaders share why they do what they do and show what’s worked for them. Then they ask a set of guiding questions that help others frame what’s most relevant to individuals. Leaders help others frame their own unique set of guiding questions in ways that are most personally relevant.
A great leader listens. Different people want and need different things at different times. Leaders ask questions and look at results to find out what other people want and need most. Leaders don’t give other people their voice, they help others make their own voices stronger. Leaders understand that different people want different results.
A great leader helps others activate all their resources. Leaders help others consolidate and build upon their core strengths. You start with where you are and you move to where you want to be. You develop the vision to know where you want to go and the skills to get there. Leaders know that if you want to raise the level of your game, you need to improve both your inner game and your outer game.
A great leader recognizes and reveals group resources. Every group has a unique set of resources, because every group is a collection of unique individuals. Leaders bring out the often hidden resources within a group. When they do this, everyone becomes both a student and a teacher; everyone learns more, including the leader.
A great leader expands other people’s comfort zone. By inspiring people with more possibilities and demonstrating tangible results, leaders show others what’s possible. They challenge other people to periodically get out of their comfort zones and try new things. Conscious experimentation is a key to continued success.
A great leader empowers other people. Leaders offer optimum ways of thinking and working. They think clearly. They act decisively. They do this because they have experience. And, they share their experience to help others become more personally fulfilled.
A great leader brings all of their resources with them (passion, philosophy, history, education, connections, technique, tools, results), ready to make the most of every moment – and every individual.
So, being a great digital photography workshop leader involves far more than making sure people get to great locations at great times. (Of course, that’s really important too!)
 
Find out what people say about my workshops.
Learn more in my digital photography and digital printing workshops.

Share Experience / Share Vision



It was December 2005. We had just made the long crossing of the Drake Passage to Antarctica. On the horizon were enormous icebergs. It was our first view of big ice. We all rushed to deck and began to photograph. I found myself standing shoulder to shoulder with Seth Resnick. He was using a long 300mm lens. I was using a wide 28mm lens. We both looked at each other and then looked again. Our approach was so different we were astonished. “Let me see your camera!” we both said simultaneously and quickly traded cameras. We laughed out loud. With one quick glance, we realized we were seeing in entirely different ways.
It was February 2007. We found ourselves in the very same situation. Again, we had crossed the Drake Passage to Antarctica. Again, there was big ice. Again, we hurried to deck. Only this time, Seth appeared with a wide 14mm lens and I showed up with a long 100-400mm lens. We grinned big grins. We had influenced each other.
It was January 2010. Once more, we had crossed the Drake Passage to Antarctica. There was more big ice. Again we raced to deck. This time we both carried two cameras, one with a wide lens and the other with a long lens. We smiled and nodded knowingly at one another. As a result of sharing the same experiences and the results we produced from them, we had learned to become more versatile and see in more varied ways.
Sharing experiences with other visual artists can be extremely stimulating and rewarding. The resulting growth comes in unexpected ways at unexpected moments. In situations like these, I’ve come to expect the unexpected. Especially with Seth!
What opportunities can you make to share experience and vision with other artists?
Read Seth Resnick’s images and version of our story here.
Find out about our Digital Photography Destinations workshops here.

Try New Tools – Fani Cortes


In my Death Valley digital photography workshop, Fani Cortes shot with a DSLR modified to make infrared images. She’d go to specific locations and make specific images that would highlight the strengths of this effect. On occasion, she made full-spectrum images that looked identical to her infrared images. The tool gave her a new way of seeing and her images a new look.
How would your photography benefit from exploring non-standard tools?
Which tools would benefit you most?
Read more in my creativity lessons.
Find out more about my Death Valley digital photography workshop.
Learn more in my digital photography workshops.