Ray Bradbury On Creativity – 3 Videos


Host James Day speaks with Ray Bradbury about his career, the importance of fantasizing, his aspirations as a young child, his dislike of college for a writer, his idea of thinking compared to really living, and his love of the library.

Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University. Series: Writer’s Symposium By The Sea

Author Ray Bradbury joins Dean Nelson of Point Loma Nazarene University for a talk about his craft as part of Point Loma Nazarene University’s Writer’s Symposium by the Sea. Series: “Writer’s Symposium By The Sea”
View more Creativity Videos here.
Read more Creativity Quotes here.

Two Talks On The Creative Process At TEDx & Google

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My TED and Google talks have a lot in common. Both discuss creativity as a dynamic process that we all engage in with our own unique orientations to. While there are classic operations we all perform, how we combine them and the uses we put them to. Experimentation and becoming more versatile is the key to turbo-charging your creative life. You’ll find dozens of tips and lots of inspiration in both of these talks.

Schedule a talk for your organization here.

Learn more in my creativity workshops.

New eBook – Process


How artists get there is just as important as where they arrive. My new ebook Process examines many aspects of my creative process – writing, drawing, painting, photography, Photoshop, iphoneography and more. Thirty-three chapters are organized into five sections – Color, Composition, Draw, iPhone, Write – showing how each discipline contributes to the completion of finished works of art.
This ebook reveals that an artist’s creations are produced by not one but many activities in many media and that the creative process is a never-ending journey of discovery that offers surprising insights along the way.
192 pages fully illustrated
$12.99
$9.99 for Insights enews members
(Email info@johnpaulcaponigro.com for discount code.)
Buy the PDF here
Download a free preview here.




Making the Visual Verbal


Many take the view that pictures should be seen and not heard. I did. After being called to comment on my work time and time again, I realized that learning to comment on my work not only made my work more effective but it also helped me understand my work better and solve certain creative challenges. In fact, I realized that there are many types of writing and many uses for writing. Writing is now an integral part of my creative process from start to finish. Making the Visual Verbal is a useful skill that can benefit everyone, including you. You don’t think you can write? Anyone can finish a sentence. Finishing it well just takes practice. And some kinds of writing don’t need finished sentences. While it’s true there’s only one Shakespeare, we can all write. After all, think of all the great writing (fiction and nonfiction) that’s been written since Shakespeare. Personally, I don’t want to receive love letters written by Shakespeare. I want love letters written to me by my wife.
Here’s a piece I wrote several years ago on scottkelby.com.
Tune in tomorrow for a new piece on scottkelby.com – Developing Personal Projects.
Making the Visual Verbal
“Pictures should be seen and not heard.” “If we could communicate what we want to communicate with words, then we’d be writers not artists.” The words had rained down on me so many times that my mind had been saturated with the idea. While it reflects some truth, chiefly that a text (written or verbal) can never be a substitute for an image, it can also be misleading. Pictures have always been, continue to be, and will always be talked about-particularly by artists.
Growing up in an artistic family, the parade of visitors and people we visited included many types of artists from musicians to sculptors and most frequently photographers. The topics of conversation were far-reaching and colorful. Often there would be complaints about what had been written about their own work, sometimes about what had been written about each other’s work, or ……what had been written about other artist’s work. Then, if they existed, out would come quotes from an artist’s personal writings that were used to illuminate, reinforce or refute varied points of view (Artist’s letters, journals, interviews and statements have always held a special position in the history of art. They have forever shaped the commentary that surrounds work.) Inevitably, the very same artists, who claimed that artists should remain mute, would be lured into giving a lecture or an interview about their work. Artists approach the process of making the visual verbal with mixed feelings; part trepidation, part confirmation, part validation. To be sure, while there are many pitfalls to be avoided, there are many positive byproducts to making the visual verbal.
Writing can illuminate new avenues of inquiry for the viewer and in so doing enrich the entire viewing process, including the subsequent viewing process of future works by other artists. Writing is a process of revelation, It is a process of making thought visible. It is a matter of clarifying a process of thinking. By making what was intuitively sensed visible to the conscious mind, the familiar is clarified and the unfamiliar is brought to light.
Writing about images is inevitable. This kind of writing has always been there. It always will be. Someone, somewhere, sometime will write about your images. You have a great deal to contribute to the process. Along the way, you’re likely to find that writing about your work will be extremely revealing.
Many positive things happen when you engage writing. You will understand your work better. You will be able to communicate more clearly about your work. You will affirm the strengths of your work. You will be able to chart your own artistic development over time. You may even be able to uncover the seeds that will provide future growth in your work.
There are a variety of ways to make the visual verbal. There are artist’s journals, artist’s statements and writing exercises that can be used to get to the core of the inner life of work. There are ways to prepare for interviews; these days many interviews are conducted through writing over the Internet. There are lectures, and writing and rehearsing creates a solid structure for them. Writing can be a tremendous aid to any creative endeavor at any stage in the process …
Read the rest here on scottkelby.com.
Find more tips on writing here.
Read my artist’s statements here.
Read interviews I’ve given here.
Read my conversations with photographers here.
Learn more in my digital photography workshops.

Writing Artist’s Statements

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It’s important to learn how to make the visual verbal, by crafting artist’s statements. Many artists feel that images are better seen and not heard. I understand their point of view. But, face it, things will be said and written about your images. If you don’t do it, someone else will. You might as well become involved in the process. After all, as the author, this is one arena where your words are definitive.

You don’t have to be a professional writer to write. Just write. Write like you speak. Write with your voice.

Like making images, writing is a process, a process of making thoughts and feelings clearer. Often, you don’t know what shape the final product will take, until you finish.

At first, I resisted writing about my images. Now, I find the process so valuable that I’ve made it a part of my artistic process. Every time a new body of work arises, I write. When I’m ready to release a book of the work, I write again. As a result of writing, I gain a better understanding of the work I did, the work I’m doing, and the work I’m going to do. So do the people who see my images, surprisingly, even if they don’t read what I write.

This is an excerpt from a longer essay Artists’ Statements.
Download it here.

Read my artist’s statements here.
Learn more in my Fine Art Digital Printing Workshops.

Take Inventory of Your Associations

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Before you photograph, write. After you identify the things happening outside you, take a little time to explore what’s going on inside you. The events around us trigger many associations and emotions, sometimes subtle and sometimes dramatic. Often, it’s the inner dimensions of ourselves that we bring to image-making that make our work truly moving to other people. We all bring something different to each and every moment. To really be there, you have to know who you are. Find out. What are you bringing to the picture? Did you show up?

Write spontaneously and unselfconsciously. Give yourself freely to the moment. Be thorough. Go deep. Write until you have nothing left to say. And when you feel you don’t have anything left to say, ask yourself if that’s really so. Don’t evaluate your results or yourself until after you finish. Tell yourself how you really feel. Later, you can decide what to share with the rest of the world and how you’d like to do it. This kind of personal research will help you gain a greater understanding of your world, your self, and your photography. As a result, all three will improve.

Explore the power of words in these related resources.
Learn more creative techniques in my Illuminating Creativity workshops.

How To Discover Qualities With Adjectives And Adverbs

 

This article is part of a series …

Take Inventory With Nouns.

Discover Qualities With Adjectives And Adverbs.

Identify Actions With Verbs.

 

Develop the habit of making lists and you’ll dramatically sharpen your powers of observation and retention. (We’re 72% more likely to remember and act on what we write down.)

After you identify the things (nouns) and actions (verbs) in your environment, identify the qualities of those things (adjectives). (Notice that if this was worded as a question, we’ve moved from “What is it?” or “What is happening?” to “How does it feel?”)

Savor your subjects with all of your senses; sight, sound, touch, smell, taste. Note all of those qualities. The things that are not seen but nevertheless sensed may be the very things that separate your images from another, they may even be what they are about (not of).

Go beyond observing the world outside you to include the world inside you. Your associations – memories, emotions, ideas, connections – are often the very things that make your images unique. Invest more of yourself in your images and make them more your own. There’s a dramatic difference between an angle of view and a point of view. An angle of view can be duplicated; a point of view can be shared but never truly copied.

You may not be able to duplicate these responses for viewers of your still images but you can allude to them and having identified them will make your experience richer and your perspective deeper. The difference will be felt by viewers of your images – and your images will bring back more memories for you.

You may be able to use all the words you gather in your lists for another purpose – crafting words. If you are called to speak or write about your images you’ll have a lot of raw material to work with.

Find more ways to boost your creativity using words.
Learn more creative techniques in my workshops.